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敦煌写本「上大夫」(...

敦煌写本「上大夫」(蒙書「上大人」の敦煌版)研究百年簡史 : 劉復「燉煌掇瑣叙目」公表一百周年に寄せて

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敦煌写本「上大夫」(蒙書「上大人」の敦煌版)研究百年簡史 : 劉復「燉煌掇瑣叙目」公表一百周年に寄せて

国立国会図書館請求記号
Z8-406
国立国会図書館書誌ID
034517173
資料種別
記事
著者
海野 洋平
出版者
東京 : 東洋文庫
出版年
2025-12
資料形態
紙
掲載誌名
東洋学報 : 東洋文庫和文紀要 / 東洋文庫 編 107(3):2025.12
掲載ページ
p.169-200
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紙

資料種別
記事
著者・編者
海野 洋平
著者標目
タイトル(掲載誌)
東洋学報 : 東洋文庫和文紀要 / 東洋文庫 編
巻号年月日等(掲載誌)
107(3):2025.12
掲載巻
107
掲載号
3
掲載ページ
169-200
掲載年月日(W3CDTF)
2025-12
ISSN(掲載誌)
0386-9067
ISSN-L(掲載誌)
0386-9067
出版事項(掲載誌)
東京 : 東洋文庫
出版地(国名コード)
JP
本文の言語コード
jpn
NDLC
対象利用者
一般
所蔵機関
国立国会図書館
請求記号
Z8-406
連携機関・データベース
国立国会図書館 : 国立国会図書館雑誌記事索引
書誌ID(NDLBibID)
034517173
整理区分コード
632

デジタル

要約等
“Shangdaren” 上大人 was a popular children’s text on penmanship that existed in pre-modern China. As Zhai Hao 翟灝 (1736–1788) found, its philological roots can be traced back to a Zen riddle of a ninth-century monk, Chen zunsu 陳尊宿 (also known as Muzhou Daozong 睦州道蹤). However, the roots can probably be traced even further back via the Dunhuang 敦煌 manuscripts. “Shangdafu” 上大夫, a variant of “Shangdaren” found in the Dunhuang manuscripts, has been studied for one hundred years, ever since Liu Fu 劉復 first reported on Dunhuang MS P.3145v in his “Dunhuang duosuo xumu” 燉煌掇瑣叙目 (1925). In this paper, I will provide a brief overview of the research conducted over the past hundred-years, dividing it into the three periods. Occasional research on “Shangdafu” in Period I (1925–1986) did not flourish into a new research trend. Period II (1987–2007) began with research of two great scholars, Wang Liqi 王利器 and Liu Mingshu 劉銘恕 and progressed steadily. The issues Liu raised have served particularly well as a guideline for researchers of “Shangdafu.” After he raised the issues, the number of “Shangdafu” examples gradually increased and some papers treated it as their central theme. However, there were still too few examples in the second period for research to advance any further. In Period III (2008–present), the number of examples of “Shangdafu” increased further and made more detailed research possible. Achievements such as “isolation” or separation of a companion text “Niuyang qiankou” 牛羊千口 from “Shangdafu,” and clarification on some unique characters in “Shangdafu” have been made in this third period. Most examples of the “Shangdafu” in the Dunhuang manuscripts have common characteristics such as similar character variants and missing phrases. On the other hand, some examples have characters and phrases that are the same as those in the existing “Shangdaren” text. The position of the “Shangdafu” in the Dunhuang manuscripts in the philological history of “Shangdaren” is still problematic. The dating of the manuscripts is still a work in progress and determining dates of text formation beyond Zhai Hao’s estimate remains exceedingly difficult. But some significant achievements have been made in the revision of characters.
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インターネット公開
連携機関・データベース
国立情報学研究所 : 学術機関リポジトリデータベース(IRDB)(機関リポジトリ)
提供元機関・データベース
東洋文庫 : 東洋文庫リポジトリ

デジタル

要約等
“Shangdaren” 上大人 was a popular children’s text on penmanship that existed in pre-modern China. As Zhai Hao 翟灝 (1736–1788) found, its philological roots can be traced back to a Zen riddle of a ninth-century monk, Chen zunsu 陳尊宿 (also known as Muzhou Daozong 睦州道蹤). However, the roots can probably be traced even further back via the Dunhuang 敦煌 manuscripts. “Shangdafu” 上大夫, a variant of “Shangdaren” found in the Dunhuang manuscripts, has been studied for one hundred years, ever since Liu Fu 劉復 first reported on Dunhuang MS P.3145v in his “Dunhuang duosuo xumu” 燉煌掇瑣叙目 (1925). In this paper, I will provide a brief overview of the research conducted over the past hundred-years, dividing it into the three periods. Occasional research on “Shangdafu” in Period I (1925–1986) did not flourish into a new research trend. Period II (1987–2007) began with research of two great scholars, Wang Liqi 王利器 and Liu Mingshu 劉銘恕 and progressed steadily. The issues Liu raised have served particularly well as a guideline for researchers of “Shangdafu.” After he raised the issues, the number of “Shangdafu” examples gradually increased and some papers treated it as their central theme. However, there were still too few examples in the second period for research to advance any further. In Period III (2008–present), the number of examples of “Shangdafu” increased further and made more detailed research possible. Achievements such as “isolation” or separation of a companion text “Niuyang qiankou” 牛羊千口 from “Shangdafu,” and clarification on some unique characters in “Shangdafu” have been made in this third period. Most examples of the “Shangdafu” in the Dunhuang manuscripts have common characteristics such as similar character variants and missing phrases. On the other hand, some examples have characters and phrases that are the same as those in the existing “Shangdaren” text. The position of the “Shangdafu” in the Dunhuang manuscripts in the philological history of “Shangdaren” is still problematic. The dating of the manuscripts is still a work in progress and determining dates of text formation beyond Zhai Hao’s estimate remains exceedingly difficult. But some significant achievements have been made in the revision of characters.
連携機関・データベース
国立情報学研究所 : CiNii Research
提供元機関・データベース
Japan Link Center
学術機関リポジトリデータベース
雑誌記事索引データベース
書誌ID(NDLBibID)
034517173