寄与者edited by Pamela Fletcher and Anne Helmreich.
一般注記Introduction. The state of the field/ Pamela Fletcher and Anne Helmreich -- 'Florid-looking speculators in Art and Virtu': the London picture trade c.1850/ Mark Westgarth -- Shopping for art: the rise of the commercial art gallery,1850s-90s/ Pamela Fletcher -- The Goupil Gallery at the intersection between London, Continent, and Empire/ Anne Helmreich -- Marketing Post-impressionism : Roger Fry's commercial exhibitions/ Anna Gruetzner Robins -- Strategies of display and modes of consumption in London art galleries in the inter-war years/ Andrew Stephenson -- The art press and the art market: the artist as 'economic man'/ Julie F. Codell -- The call of commerce: the Studio magazine in the 1920's/ Ysanne Holt -- Decorative Politics and direct pictures: Hugh Lane and the global market, 1900-15/ Morna O'Neill -- Matthew Smith, the Tate Gallery, and the London art market/ Alexandra MacGlip -- Millais in the marketplace: the crisis of the late 1850's/ Malcolm Warner -- Branding the vision: William Holman Hunt and the Victorian art market/ Brenda Rix -- Negotiating a reputation: J.M. Whistler, D.G. Rossetti, and the art market 1860-1900/Patricia Monfort -- Home from home: some Australasian artists in London, 1900-14/Pamela Gerrish Nunn.
Originally published in hardback 2011.