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            <title>The Oxford handbook of Jewish music studies / edited by Tina Fru&#x308;hauf</title>
            <link>https://ndlsearch.ndl.go.jp/books/R100000002-I032792912</link>
            <description>edited by Tina Fru&#x308;hauf. The Oxford handbook of Jewish music studies. Oxford University Press, [2023]. ISBN:9780197528624&lt;br&gt;&quot;Jewish music has become the subject of a respectable literature in different academic disciplines and a touchstone of public and intellectual discourse in such diverse fields as the performing arts and religious studies, the visual arts and philology, cultural studies and librarianship, and spanning topics that extend to almost all continents. As a forward-looking and multidisciplinary endeavor, The Oxford Handbook of Jewish Music Studies maps this emerging field within the framework of spatiality, temporality, and collectivity as analytical and conceptual categories. It does so by embracing all hemispheres, and interrogating Jewish music&apos;s meaning of various places and spaces across the temporal frame of antiquity through the early twenty-first century. The introductory chapter provides a theoretical foundation that paves the way for the rich selection of case studies brought together in the subsequent sections. These case studies document the different facets of Jewish music and theorize its multivalent correlation with spaces and collectives around the world; The thirty diverse chapters, conceived by an international team of thirty-one outstanding scholars, are divided into eight thematically organized sections, the first of which addresses Jewish music in various lands and territories (some without defined borders in time and space), followed by sections that focuses on cities, as well selected spaces therein-ghetto, concert hall, archive, and sacred and ritual spaces. These sections, which largely look at actual and concrete spaces (roughly presented in the order of scale), are followed by the phenomenological spaces of destruction and remembrance, and shekhinah, i.e., divine presence. With this approach to capturing diverse subjects within the field, the volume releases Jewish music from claims of continuity, constructions around genre, or simplistic binaries such as secular and sacred, to embrace it as self-sufficient and open culture and expression&quot;--</description>
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            <pubDate>Tue, 06 Aug 2024 22:21:22 +0900</pubDate>
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            <title>The Cambridge companion to Jewish music / edited by Joshua S. Walden.</title>
            <link>https://ndlsearch.ndl.go.jp/books/R100000002-I026700627</link>
            <description>edited by Joshua S. Walden.. The Cambridge companion to Jewish music. Cambridge University Press, 2015.; &#xa9;2015, Cambridge companions to music. ISBN:9781107023451; 1107023459; 9781107623750; 1107623758&lt;br&gt;&quot; ... Presenting a range of fresh perspectives on the field, the chapters explore Jewish liturgy, klezmer, music in Israel, the music of Yiddish theater and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of diaspora, ontology, economics, and the history of sound technologies.&quot;--Back cover.</description>
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            <pubDate>Tue, 18 Oct 2016 18:22:27 +0900</pubDate>
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