Thomas L. RiisInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York1992
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translated by Katherine Silberblatt WolfthalInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1991
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Thomas McGearyInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1991
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James R. HeintzeInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1990
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Jon AppletonInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1989
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Philip CarlsenInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1988
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Charles HammInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1988
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Edward A. BerlinInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1987
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Roger ReynoldsInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1987
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William LichtenwangerInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1986
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Richard CrawfordInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1985
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Andrew LambInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1985
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Frank W. HoogerwerfInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1984
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Russell SanjekInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1983
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by Minna LedermanInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1983
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Carol J. Oja, editor ; foreword by William SchumanInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1982
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Martha L. ManionInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1982
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Stephen SpackmanInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New Yorkc1982
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H. Wiley HitchcockInstitute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York1977
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Institute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York
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