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Proceed, sweet charmer of the ear : duet for two soprano voices, two treble recorders and keyboard with violoncello ad libitum

Proceed, sweet charmer of the ear : duet for two soprano voices, two treble recorders and keyboard with violoncello ad libitum
Paper楽譜
Philip Hart ; edited by Frank DawesSchottc1966
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Strike the viol : aria for alto voice, two treble recorders and keyboard instrument from the Ode for thr birthday of Queen Mary, 1694

Strike the viol : aria for alto voice, two treble recorders and keyboard instrument from the Ode for thr birthday of Queen Mary, 1694
Paper楽譜
Purcell ; [Tippett-Bergmann]Schottc1952
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Why should men quarrel? : aria for soprano voice, two treble recorders and keyboard instrument

Why should men quarrel? : aria for soprano voice, two treble recorders and keyboard instrument
Paper楽譜
Purcell ; [Bergmann]Schottc1952
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Esurientes implevit bonis : aria for alto voice, two treble recorders and keyboard instrument from the Magnificat (1st. version)

Esurientes implevit bonis : aria for alto voice, two treble recorders and keyboard instrument from the Magnificat (1st. version)
Paper楽譜
J.S. BachSchottc1952
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Hush, ye pretty warbling quire : aria from 'Acis and Galatea'

Hush, ye pretty warbling quire : aria from 'Acis and Galatea'
Paper楽譜
[music by] G.F. Handel ; arranged and edited by Edgar HuntSchottc1949
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Tempt me then = Locke nur : cantata for soprano voice, recorder (treble or descant) and keyboard with violoncello ad lib

Tempt me then = Locke nur : cantata for soprano voice, recorder (treble or descant) and keyboard with violoncello ad lib
Paper楽譜
G.Ph. Telemann ; edited and arranged from the figured bass by Walter Bergmann ; English version by Norman PlattSchottc1953
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Nel dolce del' oblio = In sleep's sweet oblivion : cantata for soprano voice, treble recorder & keyboard

Nel dolce del' oblio = In sleep's sweet oblivion : cantata for soprano voice, treble recorder & keyboard
Paper楽譜
G.F. Handel ; edited and arrang[e]d by Walter Bergmann and Edgar Hunt ; English words by Norman PlattSchottc1952
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Aria 'Yet Jesus will the Righteous keep' = (Doch Jesus will・der Frommen Schild und Beistand sein) : from "Schauet doch und sehet" (Church cantata 46 for the 10th Sunday after Trinity) : for alto voice, two treble recorders and oboe da caccia (cor anglais, with alternative parts for violin and viola)

Aria 'Yet Jesus will the Righteous keep' = (Doch Jesus will・der Frommen Schild und Beistand sein) : from "Schauet doch und sehet" (Church cantata 46 for the 10th Sunday after Trinity) : for alto voice, two treble recorders and oboe da caccia (cor anglais, with alternative parts for violin and viola)
Paper楽譜
J.S. Bach ; arranged and edited with English words by Max ChampionSchottc1949
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Aria from the birthday cantata 'Sheep may safely, while their shepherd' = (Schafe können sicher weiden) : for soprano voice, two treble recorders and continuo (pianoforte or harpsichord with viola da gamba (or violoncello) ad lib.)

Aria from the birthday cantata 'Sheep may safely, while their shepherd' = (Schafe können sicher weiden) : for soprano voice, two treble recorders and continuo (pianoforte or harpsichord with viola da gamba (or violoncello) ad lib.)
Paper楽譜
J.S. Bach ; edited with English words and continuo by Edgar H. HuntSchottc1941
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Aria 'Jesu, praise to thee be given' = (Jesu, dir sei Preis) : from the 'Christmas cantata': "Uns ist ein Kind geboren" (Church cantata 142) : for mezzo soprano, two treble recorders and continuo (pianoforte or harpsichord or organ with viola da gamba (or violoncello) ad lib.)

Aria 'Jesu, praise to thee be given' = (Jesu, dir sei Preis) : from the 'Christmas cantata': "Uns ist ein Kind geboren" (Church cantata 142) : for mezzo soprano, two treble recorders and continuo (pianoforte or harpsichord or organ with viola da gamba (or violoncello) ad lib.)
Paper楽譜
J.S. Bach ; edited with English words and continuo by Max Champion and Walter G. BergmannSchottc1942
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Aria 'Stone, above all others treasured' = (Stein, der über alle Schätze) : from the Church cantata 'Tritt auf die Glaubensbahn' (no. 152) : for soprano voice, treble recorder, viola d'amore (or violin) and continuo (pianoforte or harpsichord with viola da gamba (or violoncello) ad lib.)

Aria 'Stone, above all others treasured' = (Stein, der über alle Schätze) : from the Church cantata 'Tritt auf die Glaubensbahn' (no. 152) : for soprano voice, treble recorder, viola d'amore (or violin) and continuo (pianoforte or harpsichord with viola da gamba (or violoncello) ad lib.)
Paper楽譜
J.S. Bach ; edited with English words and continuo by Edgar H. HuntSchottc1941
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Schott's series for voice and recorder

Schott's series for voice and recorder
Paper楽譜
Schott
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'Rien ne peut calmer ma peine' : (air de Rosine sur le balcon) : for soprano voice, treble recorder, and pianoforte

'Rien ne peut calmer ma peine' : (air de Rosine sur le balcon) : for soprano voice, treble recorder, and pianoforte
Paper楽譜
words by Beaumarchais ; englished by Elizabeth W. Voss ; music by Paisiello from 'Le barbier de Séville'Schott[19--]
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