リヒャルト・ワーグナーの歌劇『タンホイザー』試論 : キリスト教とヨーロッパ神話の視点から

• 資料種別: 記事
• タイトル: リヒャルト・ワーグナーの歌劇『タンホイザー』試論 : キリスト教とヨーロッパ神話の視点から
• 著者・編者: 山地, 良造
• 著者標目: 山地, 良造
• 出版事項: 帝京平成大学
• 出版年月日等: 2013-03
• 出版年（W3CDTF）: 2013-03
• 並列タイトル等: Religious and Mythological Study of Richard Wagner's Opera : Tannhäuser und der Sängerkrieg auf Wartburg
• タイトル（掲載誌）: 帝京平成大学紀要
• 巻号年月日等（掲載誌）: 24 1
• 掲載巻: 24
• 掲載号: 1
• 掲載ページ: 27-59
• ISSN（掲載誌）: ISSN : 1341-5182
• 本文の言語コード: jpn
• 件名標目: Richard Wagner, Tannhäuser, Catholicism, german legends, german mythos
• 対象利用者: 一般
• 一般注記: Richard Wagner's opera “Tannhäuser und der Sängerkrieg auf Wartburg " is the core of the essay. In the analyse of the opera , it takes up german legends, german and other mythos and Catholicism. One of the legends is a “Tannhäuser-legend" which has a great influence on Wagner's opera. 0n the other hand,Wagner assumes in the opera a critical attitude toward Catholicism, and instead of that he revalued the roles of the german gods in german mythos, particularly the role of venus. The german mythical world was less well understood than that of any other countries in western and eastern Europe. It was the Grimm brothers that urged the importance of the german mythos. Since the gods had been almost wiped out by Catholicism from the ancient times to the mdieval period, it was very difficult to create a clear picture of what their existences and roles were like. With the support of “Deutsche Mythologie (German mythologie)" and “Deutsche Sagen(German legends)" of the Grimm brothers , Wagner brought the german gods in life into “Tannhäuser". This opera includes not only the german mythos and history, but also the religeous thoughts in the whole Europe.
• 記録形式（IMT）: application/pdf
• 一次資料へのリンクURL: https://lib.thu.ac.jp/webopac/bdyview.do?bodyid=TC00000084&elmid=Body&fname=kiyou24_1_027.pdf
• オンライン閲覧公開範囲: 限定公開
• 連携機関・データベース: 国立情報学研究所 : 学術機関リポジトリデータベース（IRDB）（機関リポジトリ）; https://irdb.nii.ac.jp
• 提供元機関・データベース: 帝京平成大学 : 帝京平成大学リポジトリ