並列タイトル等シェイクスピア フユモノガタリ ニ オケル シゼン ジンコウ ト レンキンジュツ
Nature, Art and Alchemy in Shakespeare's The Winter ’s Tale
タイトル(掲載誌)愛知工業大学研究報告. A, 基礎教育センター論文集 = Bulletin of Aichi Institute of Technology. Part A
一般注記The purpose of this paper is to refute the Hermetic interpretations of Shakespeare's late Romance, The Winter's Tale(1611) By Frances Yates(1975) and Sorensen(1999). Newman's detailed study (1991,1998,and 2004) on the "Nature" Vs."Art" distinction dating back to the classical antiquity shows that the alchemical defenses of The Book of Hermes abolished the "Nature" VS. "Art" distinction, while more conservative traditions sided on the "ature's" superiority to "Art." In The Winter's Tale, Shakkespeare always defends the conservative traditions and maintains the distinction between "Nature" and "Aret, through the words' actions and, to mention the last but not the least, the patience by the characters in the play,Perdita,Paulina, and Hermione. All of them in the plot positively contributed to the final rapprochement and to the fulfillments of the God's oracles. Shakespeare parodies the hemetic tradetions Hermine desceded from the pedesta. Not the hmans but only the God transcends the "Nature" vs. "Art" distinction to lead the broken famiies to the final salvation.
identifier:http://repository.aitech.ac.jp/dspace/handle/11133/2071
一次資料へのリンクURLhttp://repository.aitech.ac.jp/dspace/bitstream/11133/2071/1/%e7%b4%80%e8%a6%8141%e5%8f%b7A%28P13-22%29.pdf
連携機関・データベース国立情報学研究所 : 学術機関リポジトリデータベース(IRDB)(機関リポジトリ)