数量xiii, 281 pages : ; 21 cm.
一般注記1. Introduction: Screening the Repeating Island -- Spiralling Outwards: Cubania, Diaspora, Transnation -- The Problem of Framing: Inventing Borders, Setting Boundaries -- Cuba as Cork: Drifting through the Special Period- -- Film since the Revolution: The Story of a National Cinema -- Continuity and Change: Street Filmmakers and `Submerged Cinema' -- Film as Screen: From Freud to Lacan and Back to Benitez-Rojo -- Works Cited -- 2. A Cuban Zombie Nation?: Monsters in Havana -- There is a Spectre Haunting Cuba -- The Haunted Present and Zombie Time -- Troubling and Reasserting Locality: Space and Humour -- Vampiros and Mas vampires: The Symbolic Order and its Transgression -- Juan de los Muertos: The Real versus the Symbolic Order -- Conclusion: Enjoy your Mystification] -- Works Cited -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- Eleggua in Aberystwyth: Clearing the Way -- Tactics and Strategies: Power and Position -- Film as `Contracandela': Fighting Fire with Fire -- Not Child's Play: The Symbolic, Moral, and Affective Significance of the Child -- Heterotopias: The City and the Country (Side) -- Conclusion: Tactical Practice and `Hot' Nationalism -- Works Cited -- 4. Time `Out of Joint': Icons, Images, and Archives -- Traces and Spectres: A National Hauntology -- Melancholy and Mourning -- National Nostalgias -- El ojo del canario: Meeting Marti's Gaze -- Se vende: Auras, Archives, and Relics -- Conclusion: Creative Constellations -- Works Cited -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- Moles, Moulds, and Uncanny Enclosures -- `Dentro/Contra', `Debajo/Fuera': Tunnelling Out of Sight -- `Throwntogetherness', Claustrophobia, and Control -- Community, Communication, and Insilio -- Conclusion: Between a Dark Den and the Deep Blue Sea -- Works Cited -- 6. Conclusion: Shipwrecks and Seasickness -- Fast and Furious?: From Obama to Trump -- Cuban Cinema `en la intemperie' -- Works Cited.