図書 楽譜
Shinobi Uta
- 国立国会図書館請求記号
- YM311-B10
- 国立国会図書館書誌ID
- 024106848
資料に関する注記
一般注記:
- Authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI.UMI number: 3444176.
書店で探す
書店で探す
書誌情報
この資料の詳細や典拠(同じ主題の資料を指すキーワード、著者名)等を確認できます。
紙
- 資料種別
- 図書楽譜
- タイトル
- 著者・編者
- by Tae Sakamoto.
- 著者標目
- 出版年月日等
- [2011]
- 出版年(W3CDTF)
- 2011
- 数量
- viii, 37 pages
- 大きさ
- 23 cm
- 授与機関名
- Stony Brook University
- 授与年月日(W3CDTF)
- 2010
- 学位
- Ph.D.
- 出版地(国名コード)
- US
- 本文の言語コード
- eng
- ジャンル・形式用語
- 表現種別
- textnotated music
- 機器種別
- unmediated
- キャリア種別
- volume
- 対象利用者
- 一般
- 一般注記
- Authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI.UMI number: 3444176.
- 資料の内容に関する注記
- Shinobi Uta is a song cycle in five movements for soprano, baritone, and chamber orchestra based on the story of Tosa Nikki. The first literary work in Japanese history conveyed in the form of a diary, Tosa Nikki was written by one of the most renowned poets and writers of its time, Tsurayuki Kino, in 935. His refined skills in Japanese and Chinese poetry were highly acknowledged by the Japanese imperial court during the Heian Period (794-1185). His name often appears in many of the early Japanese anthologies of poetry including the first of its kind called Kokin Wakashu, for which he was appointed one of the four editors responsible for compiling more than a thousand poems from this period. In Tosa Nikki, the author recounts a series of events during his 55-day journey back to Kyoto (then the capital of Japan) from the province of Tosa, where he had been appointed the governor for five years, and also includes 57 poems.The most fascinating aspect of Tosa Nikki is the fact that Tsurayuki wrote the entire work from the perspective of an anonymous female, only mentioning himself in the third person. His intention is evident from the very first line of the diary:"They say that writing diaries is for men, but as a woman, I am going to give this a try." In order to emphasize the female voice, he used only phonetic characters (Kana), which were considered to be the writing method for women, as opposed to ideographic characters (Kanji) for men. Tsurayuki's motive for hiding his gender is not certain, but one can speculate that he was greatly influenced by the loss of his young daughter during his stay in Tosa. Throughout the diary, the author repeatedly reminds the reader of this matter by mentioning a grieving couple (Tsurayuki and his wife). Perhaps assuming the tone of a female writer allowed Tsurayuki to express his deep sorrow more simply and intimately.Stony Brook University Libraries. SBU Graduate School in Department of Music. Lawrence Martin (Dean of Graduate School).
- 所蔵機関
- 国立国会図書館
- 請求記号
- YM311-B10
- 連携機関・データベース
- 国立国会図書館 : 国立国会図書館蔵書
- 書誌ID(NDLBibID)
- 024106848
- 目録規則
- RDA
- 整理区分コード
- 211