The Inferno tango : gender politics and modern Chinese poetry, 1917-1980

• 資料種別: 図書
• タイトル: The Inferno tango : gender politics and modern Chinese poetry, 1917-1980
• 著者・編者: by Liansu Meng.
• 著者標目: Meng, Liansu.
• 出版事項: Ann Arbor, MI : UMI
• 出版年月日等: [2011]
• 出版年（W3CDTF）: 2011
• 数量: ix, 245 pages
• 大きさ: 23 cm
• 授与機関名: University of Michigan
• 授与年月日（W3CDTF）: 2010
• 学位: Ph.D.
• 出版地（国名コード）: US
• 本文の言語コード: eng; chi
• 表現種別: text
• 機器種別: unmediated
• キャリア種別: volume
• 件名標目: Modern Chinese Poetry; Gender Politics; East Asian Languages and Cultures; General and Comparative Literature; Humanities
• NDLC: KK322
• 対象利用者: 一般
• 一般注記: Authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI.; UMI number: 3441320.
• 資料の内容に関する注記: This dissertation studies the gender politics of modern Chinese intellectuals through a close examination of the problem of masculinity and the making of modern poetry from the 1910s to the 1980s. My research focuses mainly on Guo Moruo, Wen Yiduo and Chen Jingrong of the early generation and more recent poets such as Bei Dao, Mang Ke and Shu Ting who emerged from the literary activism of Today! in the late 1970s. Combining archival research, close readings and methods from gender and literary history, I analyze the formative moments in the lives of Guo and Wen during their travels abroad in the 1910s and 1920s. I also examine Chen’s encounter with the Anti-Japanese War (1937-1945) and the Chinese Civil War (1945-1949) as well as the underground literary activities in the Cultural Revolution (1966-1976) as embodied by the Today! poets. Many factors have contributed to the Chinese poets’ construction of their newly gendered subjectivities in times of profound national crisis and transformation. I argue that the masculinity of the poetic canon in modern China was naturalized and perpetuated by the discourses of love, marriage, nationalism, revolution and industrial progress as well as by the indigenous literati tradition. I also show how a small minority of poets including men and women were inspired by Western feminist thoughts on the one hand and Daoist philosophy on the other to develop alternative positions of gender in response. With a sustained focus on gender politics, my study seeks to reinterpret the literary and cultural history of China in the twentieth century.
• 一次資料へのリンクURL: Item Resolution URL; http://hdl.handle.net/2027.42/78971
• 所蔵機関: 国立国会図書館
• 請求記号: KK322-B1
• 連携機関・データベース: 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• 書誌ID（NDLBibID）: 024109415; http://id.ndl.go.jp/bib/024109415
• 目録規則: RDA
• 整理区分コード: 211