著者・編者edited by Judith Keller and Amanda Maddox
with contributions by Kōtarō Iizawa, Ryūichi Kaneko and Jonathan M. Reynolds
[Dinah Berland, editor].
形態の詳細chiefly illustrations (some colour)
並列タイトル等Photographs of Hiroshi Hamaya and Kansuke Yamamoto
一般注記Published on the occasion of an exhibition held at the J. Paul Getty Museum at the Getty Center, Los Angeles, Mar. 26-Aug. 25, 2013.
資料の内容に関する注記This title offers an illustrated overview of the evolution of two very different strains of modern Japanese photography. In the 1930s, Japanese photography evolved in two very directions: one toward a documentary style, the other favouring an experimental, or avant-garde, approach strongly influence by Western Surrealism. This book explores these two divergent paths through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture. He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by Western artists such as Man Ray and Magritte. 0Exhibition: Getty Museum, Los Angeles, USA (26.3.-25.8.2013). 0.
書誌注記Includes bibliographical references and index.