Theorizing imitation in the visual arts : global contexts

• 資料種別: 図書
• ISBN: 9781119004035 (paperback); 1119004039 (paperback)
• タイトル: Theorizing imitation in the visual arts : global contexts
• 著者・編者: edited by Paul Duro.
• シリーズタイトル: Art history book series
• タイトル標目: Art history book series.
• 著者標目: Duro, Paul, 1953- ( 00691361 )典拠
• 出版事項: Chichester, West Sussex, UK : Wiley Blackwell/John Wiley & Sons Ltd (出版)
• 出版年月日等: 2015.; 著作権日付 : ©2015
• 出版年（W3CDTF）: 2015
• 数量: 238 pages
• 形態の詳細: illustrations (chiefly color)
• 大きさ: 28 cm.
• 出版地（国名コード）: GB
• 本文の言語コード: eng
• 表現種別: text; still image
• 機器種別: unmediated
• キャリア種別: volume
• 件名標目: Imitation in art.; 20.15 conservation, restauration and forgery of works af art.
• LCC: N72.7
• DDC: 700.1
• NDLC: K25
• 対象利用者: 一般
• 一般注記: "Originally published as volume 37, issue 4 of Art history"--Title page verso.
• 資料の内容に関する注記: This collection of essays challenges these prejudices by bringing to bear a perspective that reveals the ubiquity of the practice of imitation across cultures while underlining the homology of theories of imitation from within the various historical and geographical positions that are investigated. Leading scholars bring light to a broad range of areas, some of which have been little researched in the past, providing an invaluable text for undergraduates and scholars of art history, visual studies, and aesthetics, and museum professionals.--Back cover.
• 書誌注記: Includes bibliographical references and index.
• コレクション（個別）: 日本関係外国語図書
• 所蔵機関: 国立国会図書館
• 請求記号: K25-B42
• 連携機関・データベース: 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• 書誌ID（NDLBibID）: 026071692; http://id.ndl.go.jp/bib/026071692
• LC control number: 2015023707; https://lccn.loc.gov/2015023707
• OCLC番号: 912045383; https://www.worldcat.org/oclc/912045383
• 目録規則: RDA
• 整理区分コード: 211

• 内容細目: Why Imitation, and Why Global? / Paul DuroPost-Western Poetics : Postmodern Appropriation Art in Australia / Ian McLeanEssentially the Same : Eduardo ...
• 要約等: From antiquity to the present, the theory and practice of imitation have been central to the construction of art. Yet despite a growing body of recent...