Renaissance porticoes and painted pergolas : nature and culture in early modern Italy

• 資料種別: 図書
• ISBN: 9781472460530 (hbk.); 1472460537 (hbk.)
• ISBN（エラーコード）: 9781315229133 (ebk)
• タイトル: Renaissance porticoes and painted pergolas : nature and culture in early modern Italy
• 著者・編者: Natsumi Nonaka.
• シリーズタイトル: Visual culture in early modernity
• タイトル標目: Visual culture in early modernity.
• 著者標目: 野中, 夏実, 1964- ノナカ, ナツミ, 1964- ( 00428343 )典拠
• 出版事項: London : Routledge, Taylor & Francis Group (出版)
• 出版年月日等: 2017.; 著作権日付 : ©2017
• 出版年（W3CDTF）: 2017
• 数量: xiii, 226 pages, 16 unnumbered pages of plates
• 形態の詳細: illustrations (some color)
• 大きさ: 26 cm
• 並列タイトル等: Nature and culture in early modern Italy
• 出版地（国名コード）: GB
• 本文の言語コード: eng
• ジャンル・形式用語: History.; Pictorial works.
• 表現種別: text; still image
• 機器種別: unmediated
• キャリア種別: volume
• 件名標目: Porticoes--Italy--History--16th century.; Porticoes--Italy--History--17th century.; Porticoes--Italy--History--Pictorial works.; Pergolas in art.; Architecture, Renaissance--Italy--Themes, motives.; Art, Renaissance--Italy--Themes, motives.; Architecture, Renaissance--Themes, motives.; Art, Renaissance--Themes, motives.; Porticoes.; Italy.; 21.74 landscape architecture and garden design.
• LCC: NA1115
• DDC: 720.94509031
• NDLC: KA131
• 対象利用者: 一般
• 一般注記: "An Ashgate book"--Cover.
• 資料の内容に関する注記: This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden--the pergola--became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature.
• 書誌注記: Includes bibliographical references (pages 200-222) and index.
• コレクション（個別）: 日本関係外国語図書
• 所蔵機関: 国立国会図書館
• 請求記号: KA131-B145
• 連携機関・データベース: 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• 書誌ID（NDLBibID）: 027928980; http://id.ndl.go.jp/bib/027928980
• OCLC番号: 957609058; https://www.worldcat.org/oclc/957609058
• 目録規則: RDA
• 整理区分コード: 211

• 内容細目: IntroductionMediating spaces: portico, loggia, and pergolaClassical tradition and vernacular culture: Villa Farnesina and the First Loggia of Leo X...