著者・編者edited by Lisa Le Feuvre
with essays by Lisa Le Feuvre and Itaru Hirano
writings by Jiro Takamatsu newly translated into English by Reiko Tomii.
形態の詳細illustrations (some color)
言語注記Some texts translated from the Japanese.
一般注記Published to accompany the exhibition of the same name held at Henry Moore Institute, 13th July-22nd October 2017.
資料の内容に関する注記Jiro Takamatsu (1936-98) is central to the development of post-war art in Japan. He expanded points into volume, brought sculptural actions into the life of the city, and made shadows and perspective tangible.0'The Temperature of Sculpture' is the first institutional solo exhibition of Takamatsu outside of his home country, presenting over seventy works made between 1961 and 1977.0Takamatsu sought out the interplay between presence and absence, carefully thinking through relationships between artwork and its perceiver. He turned to sculpture in 1961, applying sculptural thinking to see how objects might change their ?temperature?.0The materials Takamatsu chose were always ready at hand. Sometimes they were tangible - everyday objects such as bottles, cloth, string, stones or furniture. Other times they had a strong association to sculptural traditions - such as marble, wood, concrete and iron. Significantly, he made use of intangible properties - perspective, shadows and numbers. These he made material and metaphorical in objects, events and drawings, giving form to the imponderables of space and time.00Exhibition: Henry Moore Institute, Leeds, UK (13.07. - 22.10.2017).
書誌注記Includes bibliographical references.