Bernini's Michelangelo

• 資料種別: 図書
• ISBN: 9780300247732 hardcover; 0300247737 hardcover
• タイトル: Bernini's Michelangelo
• 著者・編者: Carolina Mangone
• 著者標目: Mangone, Carolina
• 出版事項: New Haven : Yale University Press (出版)
• 出版年月日等: [2020]; 著作権日付 : ©2020
• 出版年（W3CDTF）: 2020
• 数量: ix, 277 pages
• 形態の詳細: illustrations (some color)
• 大きさ: 26 cm
• 出版地（国名コード）: US
• 本文の言語コード: eng
• ジャンル・形式用語: Criticism, interpretation, etc.
• 表現種別: text; still image
• 機器種別: unmediated
• キャリア種別: volume
• 件名標目: Bernini, Gian Lorenzo, 1598-1680--Criticism and interpretation; Michelangelo Buonarroti, 1475-1564--Influence; Bernini, Gian Lorenzo, 1598-1680.; Michelangelo Buonarroti, 1475-1564.; Bernini, Gian Lorenzo 1598-1680; Michelangelo Buonarroti 1475-1564; Influence (Literary, artistic, etc.); Rezeption
• LCC: N6923.B5
• DDC: 709.2
• NDLC: K71
• 対象利用者: 一般
• 資料の内容に関する注記: Gianlorenzo Bernini (1598-1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti-the master of the previous age. 'Bernini's Michelangelo' is the first comprehensive examination of Bernini's persistent and wide-ranging imitation of Michelangelo's canon (his art and its rules). Prevailing accounts submit that Michelangelo's pervasive, yet controversial, example was overcome during Bernini's time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear's oeuvre. Such imitation earned him the moniker "Michelangelo of his age." Investigating Bernini's "imitatio Buonarroti" in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter's reveals how Bernini approached Michelangelo's art as a surprisingly flexible repertory of precepts and forms that he reconciled-here with daring license, there with creative restraint-to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini's imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo's art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini
• 書誌注記: Includes bibliographical references and index
• 所蔵機関: 国立国会図書館
• 請求記号: K71-D2
• 連携機関・データベース: 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• 書誌ID（NDLBibID）: 030346122; http://id.ndl.go.jp/bib/030346122
• LC control number: 2019948006; https://lccn.loc.gov/2019948006
• OCLC番号: 1121602080; https://www.worldcat.org/oclc/1121602080
• 目録規則: RDA
• 整理区分コード: 211