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- 資料種別
- 図書
- ISBN
- 3034333730 hardcover9783034333733 hardcover
- ISBN(エラーコード)
- 9783034333740 ePDF9783034333757 ePUB9783034333764 MOBI
- 著者・編者
- Toshiharu Nakamuraedited by Kayo Hirakawa
- 出版年月日等
- [2019]著作権日付 : ©2019
- 出版年(W3CDTF)
- 2019
- 数量
- 320 pages
- 形態の詳細
- illustrations (some color)
- 大きさ
- 22 cm
- 出版地(国名コード)
- CH
- 本文の言語コード
- eng
- ジャンル・形式用語
- 表現種別
- textstill image
- 機器種別
- unmediated
- キャリア種別
- volume
- LCC
- DDC
- NDLC
- 対象利用者
- 一般
- 資料の内容に関する注記
- This book discusses an important theme in art history - artistic emulation that emphasizes the exchange between Flemish and Dutch art in the seventeenth century. Since the Middle Ages, copying has been perceived as an important step in artistic training. Originality, on the other hand, has been considered an indispensable hallmark of great works of art since the Renaissance. Therefore, in the seventeenth century, ambitious painters frequently drew inspiration from other artists? works, attempting to surpass them in various aspects of aesthetic appeal. Drawing on this perspective, this book considers the problems of imitation, emulation, and artistic rivalry in seventeenth-century Netherlandish art. It primarily focuses on Rubens and Rembrandt, but also discusses other masters like van Dyck and Hals. It particularly results in expanding the extant body of knowledge in relation to Rubens?s influence on Rembrandt and Hals. Moreover, it reveals certain new aspects of Rubens and Rembrandt as work-shop masters - collaboration with specialists, use of oil sketches, and teaching methods to pupils for example
- 書誌注記
- Includes bibliographical references and index
- コレクション(個別)
- 日本関係外国語図書
- 所蔵機関
- 国立国会図書館
- 請求記号
- KC327-D4
- 連携機関・データベース
- 国立国会図書館 : 国立国会図書館蔵書
- 書誌ID(NDLBibID)
- 031466444
- LC control number
- 2020288340
- OCLC番号
- 1126671495
- 目録規則
- RDA
- 整理区分コード
- 211