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- 資料種別
- 図書
- ISBN
- 97805676941719781838609658 (eBook)9781838609665 (ePDF)
- 著者・編者
- Naomi Billingsley
- 出版年月日等
- 2019著作権日付 : ©2018
- 出版年(W3CDTF)
- 2019
- 数量
- xxiii, 246 pages, 16 unnumbered pages of plates
- 形態の詳細
- illustrations (some color)
- 大きさ
- 23 cm
- 出版地(国名コード)
- GB
- 本文の言語コード
- eng
- ジャンル・形式用語
- 表現種別
- text
- 機器種別
- unmediated
- キャリア種別
- volume
- 件名標目
- LCC
- DDC
- NDLC
- 対象利用者
- 一般
- 一般注記
- First published in 2018 by I.B. Tauris, reprinted by T&T Clrark, 2019
- 資料の内容に関する注記
- "William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived."--Jacket flap
- 書誌注記
- Includes bibliographical references and index
- 所蔵機関
- 国立国会図書館
- 請求記号
- KC311-D4
- 連携機関・データベース
- 国立国会図書館 : 国立国会図書館蔵書
- 書誌ID(NDLBibID)
- 032153544
- 目録規則
- RDA
- 整理区分コード
- 211