SUNY series, cultural studies in cinema/video

• 資料種別: 図書
• タイトル: SUNY series, cultural studies in cinema/video
• 出版事項: State University of New York Press
• 並列タイトル等: The SUNY series : cultural studies in cinema/video
• 出版地（国名コード）: us
• 対象利用者: 一般
• 関連情報: Irish and African American cinema : identifying others and performing identities, 1980--2000; https://cir.nii.ac.jp/crid/1130000793873653504; Captive bodies : postcolonial subjectivity in cinema; https://cir.nii.ac.jp/crid/1130000794258442496; The films of Jean-Luc Godard; https://cir.nii.ac.jp/crid/1130000794327004672; Dancing on the white page : Black women entertainers writing autobiography; https://cir.nii.ac.jp/crid/1130000794362531200; Film production theory; https://cir.nii.ac.jp/crid/1130000794426329088; The films of Fred Zinnemann : critical perspectives; https://cir.nii.ac.jp/crid/1130000794465993216; Living pictures : the origins of the movies; https://cir.nii.ac.jp/crid/1130000794658326016; The second century of cinema : the past and future of the moving image; https://cir.nii.ac.jp/crid/1130000794764259456; Film voices : interviews from Post Script; https://cir.nii.ac.jp/crid/1130000795292447744; Dead ringers : the remake in theory and practice; https://cir.nii.ac.jp/crid/1130000795540028800; The exploding eye : a re-visionary history of 1960s American experimental cinema; https://cir.nii.ac.jp/crid/1130000796000573184; Celluloid nationalism and other melodramas : from post-revolutionary Mexico to fin de siglo Mexamérica; https://cir.nii.ac.jp/crid/1130000797265441792; Straight : constructions of heterosexuality in the cinema; https://cir.nii.ac.jp/crid/1130000798122807040; The folklore of consensus : theatricality in the Italian cinema, 1930-1943; https://cir.nii.ac.jp/crid/1130000798123233920; Shakespeare in the cinema : ocular proof; https://cir.nii.ac.jp/crid/1130282269233067008; Film genre 2000 : new critical essays; https://cir.nii.ac.jp/crid/1130282269993445760; Redirecting the gaze : gender, theory, and cinema in the Third World; https://cir.nii.ac.jp/crid/1130282270026996224; Triangulated visions : women in recent German cinema; https://cir.nii.ac.jp/crid/1130282270100797184; Detecting men : masculinity and the Hollywood detective film; https://cir.nii.ac.jp/crid/1130282270449468800; The phantom of the cinema : character in modern film; https://cir.nii.ac.jp/crid/1130282270676774656; PostNegritude visual and literary culture; https://cir.nii.ac.jp/crid/1130282271096605568; Ladies and gentlemen, boys and girls : gender in film at the end of the twentieth century; https://cir.nii.ac.jp/crid/1130282271493542144; Digital diaspora : a race for cyberspace; https://cir.nii.ac.jp/crid/1130282271678869248; The films of Harold Pinter; https://cir.nii.ac.jp/crid/1130282271896918656; Structures of desire : British cinema, 1939-1955; https://cir.nii.ac.jp/crid/1130282271969360640; Split screen : Belgian cinema and cultural identity; https://cir.nii.ac.jp/crid/1130282272081770112
• 関連情報（URI）: https://ci.nii.ac.jp/ncid/BA30397756#entity
• 連携機関・データベース: 国立情報学研究所 : CiNii Research
• 提供元機関・データベース: CiNii Books; https://ci.nii.ac.jp/books
• NACSIS書誌ID（NCID）: https://ci.nii.ac.jp/ncid/BA30397756 : BA30397756

目次

Irish and African American cinema : identifying others and performing identities, 1980--2000

Captive bodies : postcolonial subjectivity in cinema

The films of Jean-Luc Godard

Dancing on the white page : Black women entertainers writing autobiography

Film production theory