Studies in musicology

• 資料種別: 図書
• タイトル: Studies in musicology
• 出版事項: UMI Research Press
• 出版地（国名コード）: us
• 本文の言語コード: en
• 対象利用者: 一般
• 関連情報: Henry Cowell's New Music, 1925-1936 : the Society, the music editions, and the recordings; https://cir.nii.ac.jp/crid/1130000793760164992; Brahms's choral compositions and his library of early music; https://cir.nii.ac.jp/crid/1130000793794878848; Neoclassicism in music : from the genesis of the concept through the Schoenberg/Stravinsky polemic; https://cir.nii.ac.jp/crid/1130000793808845952; The life and music of George Antheil, 1900-1959; https://cir.nii.ac.jp/crid/1130000793849668480; John Taverner, Tudor composer; https://cir.nii.ac.jp/crid/1130000793877798912; The cantatas of Luigi Rossi : analysis and thematic index; https://cir.nii.ac.jp/crid/1130000793922706432; Dr. Burney as critic and historian of music; https://cir.nii.ac.jp/crid/1130000793938281728; The motet in England in the fourteenth century; https://cir.nii.ac.jp/crid/1130000794081087360; Music in the Restoration theatre : with a catalogue of instrumental music in the plays, 1665-1713; https://cir.nii.ac.jp/crid/1130000794095938688; Ton und Wort : the Lieder of Richard Strauss; https://cir.nii.ac.jp/crid/1130000794133350656; Of poetry and music's power : humanism and the creation of opera; https://cir.nii.ac.jp/crid/1130000794158512640; Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg; https://cir.nii.ac.jp/crid/1130000794214099968; Courtly pastimes : the frottole of Marchetto Cara; https://cir.nii.ac.jp/crid/1130000794320759936; The genesis of Schumann's Dichterliebe : a source study; https://cir.nii.ac.jp/crid/1130000794442936448; The creative process in the autograph musical documents of Hector Berlioz, c. 1818-1840; https://cir.nii.ac.jp/crid/1130000794504894464; Vespers at St. Mark's : music of Alessandro Grandi, Giovanni Rovetta, and Francesco Cavalli; https://cir.nii.ac.jp/crid/1130000794542608512; The life and works of Francesco Maria Veracini; https://cir.nii.ac.jp/crid/1130000794550406400; Beethoven's early sketches in the "Fischhof miscellany," Berlin Autograph 28; https://cir.nii.ac.jp/crid/1130000794559286016; Louise Farrenc, 1804-1875 : composer, performer, scholar; https://cir.nii.ac.jp/crid/1130000794739281280; American women composers before 1870; https://cir.nii.ac.jp/crid/1130000794773242240; The French cantata : a survey and thematic catalog; https://cir.nii.ac.jp/crid/1130000794798568576; Kurt Weill in Europe; https://cir.nii.ac.jp/crid/1130000794951229824; Liszt's Sonata in B minor : a study of autograph sources and documents; https://cir.nii.ac.jp/crid/1130000795100669568; Francis Poulenc, his artistic development and musical style; https://cir.nii.ac.jp/crid/1130000795141671936; The American opera to 1790; https://cir.nii.ac.jp/crid/1130000795190849792; Italian opera in London, 1760-1800; https://cir.nii.ac.jp/crid/1130000795751674240; Hugo Wolf's Lieder and extensions of tonality; https://cir.nii.ac.jp/crid/1130000795766686464; A history of key characteristics in the eighteenth and early nineteenth centuries; https://cir.nii.ac.jp/crid/1130000795916098176; Essays on J.S. Bach; https://cir.nii.ac.jp/crid/1130000796018704128; Eugène Scribe and French opera of the nineteenth century; https://cir.nii.ac.jp/crid/1130000796111722624; French and Italian influence on the zarzuela : 1700-1770; https://cir.nii.ac.jp/crid/1130000796223727872; Opera for a New Republic : the Zeitopern of Krenek, Weill, and Hindemith; https://cir.nii.ac.jp/crid/1130000796439055232; Essays in performance practice; https://cir.nii.ac.jp/crid/1130000796553662080; Tonal coherence in Mahler's Ninth symphony; https://cir.nii.ac.jp/crid/1130000796553665792; The origins of modern musical criticism : French and Italian music, 1600-1750; https://cir.nii.ac.jp/crid/1130000797077688704; The genesis of Debussy's Pelléas et Mélisande; https://cir.nii.ac.jp/crid/1130000797168324736; The cantata in Nuremberg during the seventeenth century; https://cir.nii.ac.jp/crid/1130000797387915648; The organ preludes of Johann Sebastian Bach; https://cir.nii.ac.jp/crid/1130000797624949760; Programmatic elements in the works of Schoenberg; https://cir.nii.ac.jp/crid/1130000797633068160; The canzone villanesca alla napolitana and related forms, 1537-1570; https://cir.nii.ac.jp/crid/1130000797670921472; The crumhorn : its history, design, repertory, and technique; https://cir.nii.ac.jp/crid/1130000798138779904; Italian opera in transition, 1871-1893; https://cir.nii.ac.jp/crid/1130000798163538048; Music and text in the works of Arnold Schoenberg : the critical years, 1908-1922; https://cir.nii.ac.jp/crid/1130000798249691520; A history of musical Americanism; https://cir.nii.ac.jp/crid/1130282268665083136; Lowell Mason : his life and work; https://cir.nii.ac.jp/crid/1130282268685859840; Hector Berlioz and the development of French music criticism; https://cir.nii.ac.jp/crid/1130282268710485888; Wagner's "Siegfried" : its drama, history, and music; https://cir.nii.ac.jp/crid/1130282268729670400; Johann Mattheson's Der vollkommene Capellmeister : a revised translation with critical commentary; https://cir.nii.ac.jp/crid/1130282268745346304; Opera seria and the evolution of classical style, 1755-1772; https://cir.nii.ac.jp/crid/1130282268748732800; Jean-Baptiste de Lully and his tragédies lyriques; https://cir.nii.ac.jp/crid/1130282268886619648; Opera without drama : currents of change in Italian opera, 1675-1725; https://cir.nii.ac.jp/crid/1130282268909229952; The monodies of Sigismondo d'India; https://cir.nii.ac.jp/crid/1130282268957644288; Schoenberg and the God-idea : the opera Moses und Aron; https://cir.nii.ac.jp/crid/1130282268976521472; The bass viol in French baroque chamber music; https://cir.nii.ac.jp/crid/1130282269044085888; Schoenberg's twelve-tone harmony : the suite op. 29 and the compositional sketches; https://cir.nii.ac.jp/crid/1130282269105984000; Performance practice and technique in Marin Marais' Pièces de viole; https://cir.nii.ac.jp/crid/1130282269136426624; The church music of Heinrich Biber; https://cir.nii.ac.jp/crid/1130282269141501184; Changing aesthetic views of instrumental music in 18th century Germany; https://cir.nii.ac.jp/crid/1130282269268939648; The comic intermezzo : a study in the history of eighteenth-century Italian opera; https://cir.nii.ac.jp/crid/1130282269284268800; The operas of Johann Adolf Hasse; https://cir.nii.ac.jp/crid/1130282269349782272; The fertilizing seed : Wagner's concept of the poetic intent; https://cir.nii.ac.jp/crid/1130282269383011840; The Viennese concerted Mass of the early classic period; https://cir.nii.ac.jp/crid/1130282269396118656; Orchestral performance practices in the nineteenth century : size, proportions, and seating; https://cir.nii.ac.jp/crid/1130282269421266688; Style and structure in the praeludia of Dietrich Buxtehude; https://cir.nii.ac.jp/crid/1130282269627744640; Thorough-bass accompaniment according to Johann David Heinichen; https://cir.nii.ac.jp/crid/1130282269876237952; The performance of the basso continuo in Italian baroque music; https://cir.nii.ac.jp/crid/1130282269901105152; The concerto and London's musical culture in the late eighteenth century; https://cir.nii.ac.jp/crid/1130282270273333376; Handel, Haydn, and the Viennese classical style; https://cir.nii.ac.jp/crid/1130282270292310912; Roman oratorio 1770-1800 : the repertory at Santa Maria in Vallicella; https://cir.nii.ac.jp/crid/1130282270529273344; The works of Charles T. Griffes : a descriptive catalogue; https://cir.nii.ac.jp/crid/1130282270719189760; Music and ritual at Papal Avignon, 1309-1403; https://cir.nii.ac.jp/crid/1130282270848236288; French harpsichord music of the 17th century : a thematic catalog of the sources with commentary; https://cir.nii.ac.jp/crid/1130282270938355712; Roger Sessions and his music; https://cir.nii.ac.jp/crid/1130282271078028800; The early French parody noël; https://cir.nii.ac.jp/crid/1130282271148572416; Voices and viols in England, 1600-1650 : the sources and the music; https://cir.nii.ac.jp/crid/1130282271245035392; Heinrich August Marschner, 1795-1861 : his life and stage works; https://cir.nii.ac.jp/crid/1130282271282081152; The songs and motets of Alfonso Ferrabosco, the Younger (1575-1628); https://cir.nii.ac.jp/crid/1130282271287275392; Operas for the papal court, 1631-1668; https://cir.nii.ac.jp/crid/1130282271295980288; The rise of instrumental music and concert series in Paris, 1828-1871; https://cir.nii.ac.jp/crid/1130282271657300608; The Spanish baroque guitar : with a transcription of De Murcia's Passacalles y obras; https://cir.nii.ac.jp/crid/1130282271666050816; The Calov Bible of J.S. Bach; https://cir.nii.ac.jp/crid/1130282271702073088; Theories of chromatic and enharmonic music in late sixteenth century Italy; https://cir.nii.ac.jp/crid/1130282271735547520; Francesco Corbetta and the baroque guitar : with a transcription of his works; https://cir.nii.ac.jp/crid/1130282272137684096; American popular stage music, 1860-1880; https://cir.nii.ac.jp/crid/1130282272150281216; Walter Piston; https://cir.nii.ac.jp/crid/1130282272220278144; The life and works of John Knowles Paine; https://cir.nii.ac.jp/crid/1130282272449915520; German music theory in the early 17th century : the treatises of Johannes Lippius; https://cir.nii.ac.jp/crid/1130282272449973248; The secular madrigals of Filippo di Monte, 1521-1603; https://cir.nii.ac.jp/crid/1130282272459023104; The instrumental music of Carl Philipp Emanuel Bach; https://cir.nii.ac.jp/crid/1130282272561558656; Valerio Dorico : music printer in sixteenth-century Rome; https://cir.nii.ac.jp/crid/1130282272578059264; Niccolò Jommelli, the last years, 1769-1774; https://cir.nii.ac.jp/crid/1130282272591533312; Italian manuscript sources of 17th century keyboard music; https://cir.nii.ac.jp/crid/1130282272848503552; Passacaglio and ciaccona : from guitar music to Italian keyboard variations in the 17th century; https://cir.nii.ac.jp/crid/1130282272899875200; Louis Pécour's 1700 Recueil de dances; https://cir.nii.ac.jp/crid/1130282273065719040; The keyboard music of John Bull; https://cir.nii.ac.jp/crid/1130282273081602432; The keyboard concertos of Carl Philipp Emanuel Bach; https://cir.nii.ac.jp/crid/1130282273251766272; Compositional origins of Beethoven's opus 131; https://cir.nii.ac.jp/crid/1130282273281211392
• 関連情報（URI）: https://ci.nii.ac.jp/ncid/BA00565614#entity
• 連携機関・データベース: 国立情報学研究所 : CiNii Research
• 提供元機関・データベース: CiNii Books; https://ci.nii.ac.jp/books
• NACSIS書誌ID（NCID）: https://ci.nii.ac.jp/ncid/BA00565614 : BA00565614

目次

Henry Cowell's New Music, 1925-1936 : the Society, the music editions, and the recordings

Brahms's choral compositions and his library of early music

Neoclassicism in music : from the genesis of the concept through the Schoenberg/Stravinsky polemic

The life and music of George Antheil, 1900-1959

John Taverner, Tudor composer