Musical meaning and interpretation

• 資料種別: 図書
• タイトル: Musical meaning and interpretation
• 著者・編者: Robert S. Hatten, editor
• 著者標目: Hatten, Robert S.; https://ci.nii.ac.jp/author/DA08371028
• 出版事項: Indiana University Press
• 大きさ: 25 cm
• 出版地（国名コード）: us
• 対象利用者: 一般
• 関連情報: The Rite of spring at 100; https://cir.nii.ac.jp/crid/1130000793703959680; Neil Young and the poetics of energy; https://cir.nii.ac.jp/crid/1130000794162038656; Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet; https://cir.nii.ac.jp/crid/1130000794224061696; Music and wonder at the Medici court : the 1589 interludes for La pellegrina; https://cir.nii.ac.jp/crid/1130000794459344512; Music as philosophy : Adorno and Beethoven's late style; https://cir.nii.ac.jp/crid/1130000794784950784; A theory of musical narrative; https://cir.nii.ac.jp/crid/1130000794864099840; Music and the politics of negation; https://cir.nii.ac.jp/crid/1130000794889043840; The Italian traditions & Puccini : compositional theory and practice in nineteenth-century opera; https://cir.nii.ac.jp/crid/1130000795018653568; Interpreting musical gestures, topics, and tropes : Mozart, Beethoven, Schubert; https://cir.nii.ac.jp/crid/1130000795406915840; Deepening musical performance through movement : the theory and practice of embodied interpretation; https://cir.nii.ac.jp/crid/1130000795666476800; Approaches to meaning in music; https://cir.nii.ac.jp/crid/1130000795755589504; Is language a music? : writings on musical form and signification; https://cir.nii.ac.jp/crid/1130000795867821056; Music and embodied cognition : listening, moving, feeling, and thinking; https://cir.nii.ac.jp/crid/1130000796464972544; Allusion as narrative premise in Brahms's instrumental music; https://cir.nii.ac.jp/crid/1130000796937775616; The musical topic : hunt, military and pastoral; https://cir.nii.ac.jp/crid/1130000797055654656; Death in Winterreise : musico-poetic associations in Schubert's song cycle; https://cir.nii.ac.jp/crid/1130000798350929920; Sonata fragments : romantic narratives in Chopin, Schumann, and Brahms; https://cir.nii.ac.jp/crid/1130003901988408320; Music and narrative since 1900; https://cir.nii.ac.jp/crid/1130282268680618624; Musical representations, subjects, and objects : the construction of musical thought in Zarlino, Descartes, Rameau, and Weber; https://cir.nii.ac.jp/crid/1130282268824805248; https://cir.nii.ac.jp/crid/1130282268944518784; Voicing gender : Castrati, Travesti, and the second woman in early-nineteenth-century Italian opera; https://cir.nii.ac.jp/crid/1130282270089599488; Reflections on musical meaning and its representations; https://cir.nii.ac.jp/crid/1130282270115277056; A theory of virtual agency for Western art music; https://cir.nii.ac.jp/crid/1130282270484532736; Il trittico, Turandot, and Puccini's late style; https://cir.nii.ac.jp/crid/1130282270512545792; Meaning and interpretation of music in cinema; https://cir.nii.ac.jp/crid/1130282270932962176; Intertextuality in western art music; https://cir.nii.ac.jp/crid/1130282271093270784; https://cir.nii.ac.jp/crid/1130282271681018240; Breaking time's arrow : experiment and expression in the music of Charles Ives; https://cir.nii.ac.jp/crid/1130282272396635648; Music and the language of love : seventeenth-century French airs; https://cir.nii.ac.jp/crid/1130282272637823488; Debussy redux : the impact of his music on popular culture; https://cir.nii.ac.jp/crid/1130282272891763840; Debussy's late style; https://cir.nii.ac.jp/crid/1130282272962511360; Pleasure and meaning in the classical symphony; https://cir.nii.ac.jp/crid/1130282273143881984; Expressive intersections in Brahms : essays in analysis and meaning; https://cir.nii.ac.jp/crid/1130282273200968320; https://cir.nii.ac.jp/crid/1130580672282359954
• 関連情報（URI）: https://ci.nii.ac.jp/ncid/BA71183017#entity
• 連携機関・データベース: 国立情報学研究所 : CiNii Research
• 提供元機関・データベース: CiNii Books; https://ci.nii.ac.jp/books
• NACSIS書誌ID（NCID）: https://ci.nii.ac.jp/ncid/BA71183017 : BA71183017