著者・編者edited by Beatrice Paolozzi Strozzi and Marc Bormand
並列タイトル等Sculpture and the arts in Florence 1400-60
一般注記Catalog of an exhibition held at the Palazzo Strozzi, Florence, Mar. 23-Aug. 18, 2013 and the Musée du Louvre, Paris, Sept. 26, 2013-Jan. 6, 2014
Includes bibliographical references (p. 511-545)
The exhibition is divided into different parts, the first (Section I: The Legacy of the Fathers) exploring the rediscovery of ancient art in the 13th and 14th centuries by the likes of Nicola Pisano, Arnolfo and their successors. It then looks into the assimilation of Gothic style of French origin, including Brunelleschi's renowned sculpture, which is the starting point for the Early Renaissance. The exhibition follows development and influences from monumental sculptures by the likes of Donatello, Ghiberti, Nanni di Banco and Michelozzo, painting by artists such as Masaccio, Paolo Uccello, Andrea del Castagno and Filippo Lippi, and the impact on the political and spiritual mood of the city. Other elements include the development of perspective in bas-relief work, a taste for 'new beauty' and new commissions in places of worship, and the transition to the private patronage of the powerful Medici family. Exhibition: Palazzo Strozzi, Florence, Italy (3.-8.2013) / Musée du Louvre, Paris, France (9.2013-1.2014)
連携機関・データベース国立情報学研究所 : CiNii Research
NACSIS書誌ID（NCID）https://ci.nii.ac.jp/ncid/BB13455503 : BB13455503