一般注記Includes bibliographical references and index
Summary: "By inviting a 'conversation' between them, this book offers a nuanced introduction both to Cézanne - the 'father of modern art' - and perhaps the most vital body of theory in contemporary psychoanalysis: 'post-Bionian field theory', as it has been evolving in Italy in the hands of Antonino Ferro, Giuseppe Civitarese and others. Cézanne and Bion, each insisting on his own truths, spearheaded quite new directions in painting and in psychoanalysis. Both point us towards a crucial insight: far from being isolated, self-contained 'subjects', we fundamentally exist only within a larger interpersonal 'field'. Cézanne's painting can give us a direct experience of this. For the Italian field analysts, building on Bion's work, the field is accessed through reverie, metaphor and dream, which now come to occupy the heart of psychoanalysis. Here primitive 'proto-emotions' that link us all might be transformed - as Cézanne transformed his 'sensations' - into aesthetic form, into feelings-linked-to-thoughts th
連携機関・データベース国立情報学研究所 : CiNii Research
NACSIS書誌ID（NCID）https://ci.nii.ac.jp/ncid/BC01912591 : BC01912591