著者・編者Stephanie L. Herdrich and Sylvia Yount ; with contributions by Daniel Immerwahr, Christopher Riopelle, and Gwendolyn DuBois Shaw
一般注記Content Type: text (rdacontent), still image (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier)
"This catalogue is published in conjunction with Winslow Homer: Crosscurrents, on view at The Metropolitan Museum of Art, New York, from April 11 through July 31, 2022, and at The National Gallery, London, from September 10, 2022, through January 8, 2023"-- Colophon
Includes bibliographical references (pages 192-194) and index
Long celebrated as the quintessential New England regionalist, Winslow Homer (1836-1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas. In particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career, reveals the artist's lifelong fascination with struggle and conflict. The book also includes Homer's depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist's keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conce
連携機関・データベース国立情報学研究所 : CiNii Research
NACSIS書誌ID（NCID）https://ci.nii.ac.jp/ncid/BC14882121 : BC14882121