Beyond continuity : : script supervision for the modern filmmaker /

Material type: 図書

Author: -

Publisher: Focal Press,

Publication date: 2014.

Material Format: Paper

Capacity, size, etc.: xxvi, 256 p. : ; 23 cm.

Collection: -

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Notes on use

Note (General)：: Introduction / David Mamet -- Introduction : What's so good about being a script supervisor ; What a script supervisor does ; Basic script supervising...

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東京都立中央図書館
Paper
Call No.：
778.5-C99-B
Book Registration Number：
7104841430
東京都立中央図書館

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Bibliographic Record

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Paper

Material Type: 図書
ISBN: 0240814894 (pbk.)
9780240814896 (pbk.)
Title: Beyond continuity : : script supervision for the modern filmmaker /
Publication, Distribution, etc.: New York ; : Focal Press,
Publication Date: 2014.
Extent: xxvi, 256 p. : ; 23 cm.
Contributor: Mary Cybulski.
Text Language Code: eng
NDC 10th ed.: 778.5 : Motion pictures
Target Audience: 一般
Note (General): Introduction / David Mamet -- Introduction : What's so good about being a script supervisor ; What a script supervisor does ; Basic script supervising skills -- Getting started : Building script supervisor skills ; How to get a job ; Meeting the director ; Making your deal ; You have the job -- Preproduction: breaking down the script : Overview ; Defining the scenes ; Page/Time/Scene tally ; Master breakdown ; Time breakdowns ; Special breakdowns -- Preproduction: non-breakdown preproduction : Rehearsals ; Rewrites ; The read through ; Tech scouts ; The production meeting ; Getting physically ready for the shoot ; What's in your kit -- Production overview: keeping the notes : Introduction, three kinds of notes ; Notes used everyday, on every movie ; Notes used on some days or some movies ; On-set matching notes ; Slating ; Setting up your book -- Production overview: maintaining continuity : Why we need continuity ; Two kinds of continuity ; What to match ; Thinking like an editor ; Variations in continuity style ; Cheating, when what's wrong is right -- The language and grammar of filmmaking : How to think about film grammar ; What's in the film grammar toolkit? ; Screen direction, the 180 line ; Maintaining screen direction in motion ; Unusual matching situations ; When actors move the line ; When the camera moves the line ; The power of jumping the line ; Why the 180 line is elusive ; Cutting on camera movement ; Composition ; Three dimensions ; Working with coverage -- A day on set : The call sheet ; Arriving ; Setting up for the day ; Blocking ; Lighting the set ; Rehearsal ; Rolling film ; Slating ; Notating time code ; Timing the take ; First shot of the morning ; Notes for each take ; Circled takes ; Lens information ; Continuity photos ; Drawing set-up frames ; What to look at ; Not matching well ; Delivering off-camera dialog ; Giving notes to actors, directors, crew members ; Moving on to the next set-up ; Moving on to the next scene ; Lunch ; Throughout the day ; Wrap ; The end of the job -- The big picture : Actors are angels ; Pick your projects; follow your leader ; The girl thing.
Includes index.
Holding library: 東京都立中央図書館
Note (Library): 301
Call No.: 778.5-C99-B
Data Provider (Database): 東京都立中央図書館 : 公共図書館蔵書
Bibliographic ID (SomokuID): 1352013033
7104841430
OCLC No.: 2013038382
https://www.worldcat.org/oclc/2013038382
(OCoLC)861497086
https://www.worldcat.org/oclc/(OCoLC)861497086