John Ruskin /

• Material Type: 図書
• ISBN: 0198816561 (hardback); 9780198816560 (hardback)
• Title: John Ruskin /
• Edition: First edition.
• Publication, Distribution, etc.: Oxford : : Oxford University Press,
• Publication Date: 2019,
• Extent: liii, 464 pages : ; 23 cm.
• Contributor: edited by Richard Lansdown.
• Text Language Code: eng
• NDC 10th ed.: 930.26 : English and American literature
• Target Audience: 一般
• Note (General): Introduction -- Chronology -- The text and the selection -- Ruskin's artists and architects: a catalogue -- From The poetry of architecture; or The architecture of the nations of Europe considered in its association with natural scenery and national character (1837): chapter 6, 'The cottage- concluding remarks' -- 'Remarks on the present state of meteorological science' (1839) -- From Modern painters, volume I, part II: Of truth (1843), section ii, 'Of general truths'; chapter 2, 'Of truth of colour' ; section iv, 'Of truth of Earth'; chapter 4, 'Of the foreground' -- From Modern painters, volume II, part III: Of ideas of beauty (1846): section i, 'Of the theoretic faculty'; chapter 1, 'Of the rank and relations of the theoretic faculty'; section 2, 'Of the theoretic faculty as concerned with pleasures of sense' -- From The stones of Venice, volume I: The foundations (1851); chapter 1, 'The quarry'; chapter 30, 'The vestibule' -- The pre-Raphaelite artists: to the editor of the Times, 13 May 1851 -- From The stones of Venice, volume II: The sea-stories (1853); chapter 4, St Mark's'; chapter 6, 'The nature of Gothic' -- From The stones of Venice, volume III: The fall (1853); chapter 1, 'Early Renaissance'; chapter 2, 'Roman Renaissance'; chapter 4, 'Conclusion' -- The light of the world: to the editor of the Times, 5 May 1854 -- From Lecture on architecture and painting: delivered at Edinburgh in November 1853 (1854): Lecture I, 'Architecture' -- The opening of the Crystal Palace, considered in some of its relations to the prospects of art (1854) -- From Modern painters, volume III, part IV: Of many things (1856); chapter 4, 'Of the false ideal: first, religious'; chapter 12, 'Of the pathetic fallacy' -- From Modern painters, volume IV, part V: Of mountain beauty (1856); chapter 1, 'Of the Turnerian picturesque'; chapter 19, 'The mountain gloom' -- From The harbours of England (1856): chapter I -- From Notes on the Royal Academy (1856): The scapegoat, William Holman Hunt -- From Notes on the Royal Academy (1857): A dream of the past, John Everett Millais -- From The elements of drawing (1857): letter 3, 'On colour and composition' [Turner's Heysham] -- From Notes on the Turner Gallery at Marlborough House (1857): Appendix -- From Notes on the Royal Academy (1859): Water-colour societies -- From The two paths: lectures on art and its application to decoration and manufacture (1859); lecture 3, 'Modern manufacture and design'; lecture 5, 'The work of iron, in nature, art, and policy' -- From Modern painters, volume V, part IX: Of ideas of relation (1860): section ii, 'Of invention spiritual'; chapter 2, 'The lance of Pallas'; chapter 9, 'The two boyhoods'; chapter 11, 'The Hesperid Æglé'; chapter 12, 'Peace' --From Essays of political economy (1862): part 3, 'Labour and trade: the disease of desire' -- From The cestus of Aglaia (1865): chapter 4, 'Haste' -- From Sesame and lilies: two lectures delivered at Manchester in 1864 (1865); lecture 1, 'Of kings' treasures'; lecture 2, 'Of queens' gardens' -- From The ethics of the dust: ten lectures to little housewives on the elements of crystallisation (1865): lecture 6, 'Crystal quarrels' -- From The crown of wild olives: three lectures on work, traffic, and war (1866): lecture 2, 'Traffic' -- From Time and tide, by weare and tyne: twenty-five letters to a working man of Sunderland on the laws of work (1867); letter 7, 'Of the various expressions of national festivity'; letter 8, 'The four possible theories respecting the authority of the Bible'; letter 9, 'The use of music and dancing under the Jewish theocracy, compared with their use by the modern French'; letter 10, 'The meaning and actual operation of satanic or demoniacal influence'; letter 11, 'The satanic power is mainly twofold: the power of causing falsehood and the power of causing pain. The resistance is by law of honour and law of delight' -- The flamboyant architecture of the Valley of the Somme (1869) -- From The queen of the air, being a study of the Greek myths of cloud and storm (1869): lecture 2, 'Athena Keramitis' -- From Fors clavigera: letters to the workmen and labourers of Great Britain; letter 5, 'The white-thorn blossom' (1871); letter 11, 'The abbot's chapel' (1871); letter 20, 'Benediction' (1872) -- From Love's meinie: lectures on Greek and Englsih birds (1873); lecture 2, 'The swallow'; lecture 3, 'The chough' -- From Val d'Arno: ten lectures on the Tuscan art directly antecedent to the Florentine year of victories (1873): lecture 2, 'John the Pisan' -- From Fors clavigera; letter 37, 'The city which is our own' (1874); letter 41, 'Bernard the happy' (1874); letter 69, 'The message of Jael-Atropos' (1876) -- 'The extension of railways in the Lake District: a protest' (1876) -- From St. Mark's rest: the history of Venice for the help of those few travellers who still care for her monuments (1877): first supplement, 'The shrine of the slaves' -- From 'General statement explaining the nature and purposes of St George's Guild' (1882) -- From Our fathers have told us: sketches of the history of Christendom for boys and girls who have been held at its fonts (1882): part I, The Bible of Amiens: chapter 3, 'The lion tamer' -- From The storm-cloud of the nineteenth century (1884): lecture 2 -- From The pleasures of England: lectures given in Oxford (1884): lecture 5, 'Protestantism: the pleasures of truth' -- From Praeterita: outlines of scenes and thoughts perhaps worthy of memory in my past life, volume I (1885): chapter 7, 'Papa and Mamma' -- From 'The Guild of St George: master's report' (1886) -- From Praeterita, volume II (1887); chapter 5, 'The Simplon'; chapter 6, 'The Campo Santo' -- Appendix: Contents: a synoptic schedule.
• Availability: 閲可/個否/協可
• Holding library: 東京都立中央図書館
• Note (Library): 所蔵場所 : 3FC文学洋開; 301
• Call No.: 930.2-R95-J
• Data Provider (Database): 東京都立中央図書館 : 公共図書館蔵書
• Bibliographic ID (SomokuID): 1352053502; 7114966653
• OCLC No.: 2018949228; https://www.worldcat.org/oclc/2018949228; (OCoLC)1041541663; https://www.worldcat.org/oclc/(OCoLC)1041541663