Ravens & red lipstick : Japanese photography since 1945

• Material Type: 図書
• ISBN: 9780500292877 (paperback); 0500292876 (paperback)
• Title: Ravens & red lipstick : Japanese photography since 1945
• Author/Editor: Lena Fritsch.
• Author Heading: Fritsch, Lena ( 001305686 )Authorities
• Publication, Distribution, etc.: London : Thames & Hudson (出版)
• Publication Date: 2018.; 著作権日付 : ©2018
• Publication Date (W3CDTF): 2018
• Extent: 288 pages
• Other physical details: illustrations (some color)
• Size: 30 cm
• Alternative Title: Ravens and red lipstick
• Place of Publication (Country Code): GB
• Text Language Code: eng
• Genre/Form Terms: History.
• Content Type: text; still image
• Media Type: unmediated
• Carrier Type: volume
• Subject Heading: Photography--Political aspects--Japan.; Photography--Social aspects--Japan.; Photography--Japan--History--20th century.; Photography--Japan--History--21st century.; Photography, Artistic--Pictorial works.; Photographers--Japan--Interviews.; PHOTOGRAPHY / General.; Photography--Social aspects.; Photography--Political aspects.; Photography, Artistic.; Civilization.; Photographers.; Photography.; Fotografie; Japan--Civilization--History--Pictorial works.; Japan.; Japan
• UDC: (52)77.036 FRI
• LCC: TR105
• DDC: 770.952; 770
• NDLC: KC742
• Target Audience: 一般
• Note (Content): Ravens & Red Lipstick provides a visually bold survey of Japanese photography's recent history. Drawing together extensive research and a succession of engaging dialogues with both emerging and established photographers, Lena Fritsch traces its development chronologically from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan, via the work of movements and groups such as Vivo in the 1960s and "Girl Power" in the '90s. Interspersed are fascinating original interviews with some of the most influential photographers of each era, from Daido Moriyama to Nobuyoshi Araki and Rinko Kawauchi. Interrogating the business, education and art-institutional backdrops to each movement, Fritsch masterfully demonstrates the centrality of these contexts to the form and reception of a cross-section of Japanese photographic works. Fritsch's great achievement is to bring observations from a range of disciplines to bear on her commentary with imagination and clarity.
• Note (Bibliography): Includes bibliographical references and index.
• Collection (particular): 日本関係外国語図書
• Holding library: 国立国会図書館
• Call No.: KC742-B146
• Data Provider (Database): 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• Bibliographic ID (NDL): 029538485; http://id.ndl.go.jp/bib/029538485
• LC Control Number: 2018932310; https://lccn.loc.gov/2018932310
• OCLC No.: 1043461542; https://www.worldcat.org/oclc/1043461542
• Cataloging Rule: RDA
• Bibliographic Record Category (NDL): 211

• Contents: IntroductionI. Post-War TraumaII. The Image Generation...