The Cambridge companion to music in digital culture

• Material Type: 図書
• ISBN: 9781107161788 hardcover alkaline paper; 1107161789 hardcover alkaline paper; 9781316614075 paperback alkaline paper; 1316614077 paperback alkaline paper
• ISBN (error code): 9781108665728 electronic book
• Title: The Cambridge companion to music in digital culture
• Author/Editor: edited by Nicholas Cook, Monique M. Ingalls, David Trippett.
• Series Title: Cambridge companions to music
• Title Heading: Cambridge companions to music.
• Author Heading: Cook, Nicholas, 1950- ( 00464863 )Authorities; Ingalls, Monique Marie.; Trippett, David, 1980-
• Publication, Distribution, etc.: Cambridge, United Kingdom : Cambridge University Press (出版); New York : Cambridge University Press (出版)
• Publication Date: 2019.
• Publication Date (W3CDTF): 2019
• Extent: xiv, 332 pages
• Other physical details: illustrations
• Size: 26 cm.
• Alternative Title: Music in digital culture
• Place of Publication (Country Code): GB
• Text Language Code: eng
• Content Type: text; still image
• Media Type: unmediated
• Carrier Type: volume
• Subject Heading: Music--Social aspects.; Digital media--Social aspects.; Music and the Internet.; Music and technology.
• LCC: ML3916
• DDC: 780.9/05
• NDLC: KD111
• Target Audience: 一般
• Note (Content): The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production.
• Note (Bibliography): Includes bibliographical references and index.
• Holding library: 国立国会図書館
• Call No.: KD111-D3
• Data Provider (Database): 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• Bibliographic ID (NDL): 029728875; http://id.ndl.go.jp/bib/029728875
• LC Control Number: 2019003348; https://lccn.loc.gov/2019003348
• OCLC No.: 1086547016; https://www.worldcat.org/oclc/1086547016
• Cataloging Rule: RDA
• Bibliographic Record Category (NDL): 211

• Contents: Machine generated contents note: 1.Digital Technology and Cultural Practice / Nicholas CookPersonal Take: Whatever Happened to Tape-Trading? / Lee Mar...