General history of Chinese film. II, 1949-1976

• Material Type: 図書
• ISBN: 1032069538 (hbk.); 9781032069531 (hbk.); 9781032069562 (pbk)
• ISBN (error code): 9781000434873 (ePub ebook); 9781000434866 (PDF ebook); 9781003204701 (ebook)
• Title: General history of Chinese film.
• Volume: II
• Part Title: 1949-1976
• Author/Editor: Ding Yaping; translated by Jin Haina.
• Series Title: Routledge studies in Chinese cinema
• Title Heading: Zhong guo dian ying tong shi. II. English
• Author Heading: Ding, Yaping.
• Publication, Distribution, etc.: London : Routledge, Taylor & Francis Group (出版)
• Publication Date: 2022.; 著作権日付 : ©2022
• Publication Date (W3CDTF): 2022
• Extent: vii, 242 pages
• Other physical details: illustrations
• Size: 24 cm.
• Alternative Title: General history of Chinese film II
• Place of Publication (Country Code): GB
• Text Language Code: eng
• Original Text Lang. Code: chi
• Genre/Form Terms: History.
• Content Type: txt : text; sti : still image
• Media Type: n : unmediated
• Carrier Type: nc : volume
• Subject Heading: Motion pictures--China--History--20th century.; Motion picture industry--China--History--20th century.; Foreign films--China--History--20th century.; Cinéma--Chine--Histoire--20e siècle.; Cinéma--Industrie--Chine--Histoire--20e siècle.; Films étrangers--Chine--Histoire--20e siècle.; Foreign films.; Motion picture industry.; Motion pictures.; China.
• LCC: PN1993.5.C4
• DDC: 791.430951
• NDLC: KD671
• Target Audience: 一般
• Note (Content): Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People's Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People's Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film. Vol. 1: 9781032069517.
• Note (Bibliography): Includes bibliographical references and index.
• Holding library: 国立国会図書館
• Call No.: KD671-P120
• Data Provider (Database): 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• Bibliographic ID (NDL): 031500834; http://id.ndl.go.jp/bib/031500834
• OCLC No.: 1243351584; https://www.worldcat.org/oclc/1243351584
• Cataloging Rule: RDA
• Bibliographic Record Category (NDL): 211

• Contents: Films shouldering a newborn state power (1949-1951)Imagination and a turning point (1952-1956)In collective sentiments: The true mirror (1957-1965)...