The production and reading of music sources : mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530

• Material Type: 図書
• ISBN: 9782503579610 (paperback); 2503579612 (paperback)
• Title: The production and reading of music sources : mise-en-page in manuscripts and printed books containing polyphonic music, 1480-1530
• Author/Editor: edited by Thomas Schmidt and Christian Thomas Leitmeir
• Series Title: Collection «Épitome musical»
• Title Heading: Collection "Epitome musical."
• Author Heading: Schmidt, Thomas (Musicologist); Leitmeir, Christian Thomas
• Publication, Distribution, etc.: Turnhout, Belgium : Brepols (出版)
• Publication Date: [2018]; 著作権日付 : ©2018
• Publication Date (W3CDTF): 2018
• Extent: xl, 541 pages
• Other physical details: illustrations (some color), music
• Size: 29 cm
• Place of Publication (Country Code): BE
• Text Language Code: eng
• Content Type: text
• Media Type: unmediated
• Carrier Type: volume
• Subject Heading: Music publishing--Europe--History--16th century; Music publishing--Europe--History--15th century; Songbooks--Europe--16th century--History and criticism; Songbooks--Europe--15th century--History and criticism; Music--15th century--Manuscripts; Music--16th century--Manuscripts; Music printing--Europe--History--To 1500; Music printing--Europe--History--16th century
• LCC: ML112
• DDC: 070.5/794
• NDLC: KD142
• Target Audience: 一般
• Note (Content): The first comprehensive study of how polyphonic music of the Renaissance was laid out on the written or printed page, and how this influenced the ways it was read or sung. Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through. The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources
• Note (Bibliography): Includes bibliographical references and indexes
• Standard No. (Other): International Article Number : 9782503579610
• Holding library: 国立国会図書館
• Call No.: KD142-D7
• Data Provider (Database): 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• Bibliographic ID (NDL): 031574782; http://id.ndl.go.jp/bib/031574782
• LC Control Number: 2018564470; https://lccn.loc.gov/2018564470
• OCLC No.: 1074421383; https://www.worldcat.org/oclc/1074421383
• Cataloging Rule: RDA
• Bibliographic Record Category (NDL): 211

• Contents: part 1. Making polyphonic books in the late fifteenth and early sixteenth centuries / Thomas Schmidtpart 2. Made to measure : compositional challenges...