List of volumes and issues
12 Records
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Table of ContentsDie Beziehung von Peruginos Galitzin-Triptychon zu den Eyckischen Kreuzigungen, besonders dem Werk im Ca' d'Oro zu Venedig Propagation of "Model" : the reception of the Donne Triptych by Hans Memling and early Netherlandish arts in England A. G. Baumgarten and G. F. Meier on proper names and their poetic effect Analysis of aesthetic experience of the visually impaired based on fieldwork Debating ethical issues surrounding environmental art : on "Is Environmental Art an Aesthetic Affront to Nature?" Recognition of human freedom in Schelling's interpretation of Oedipus as tragedy : from Philosophical Letters on Dogmatism and Criticism to Philosophy of Art Optischer Farbmischer (1923) von Ludwig Hirschfeld-Mack : seine Entstehungsgeschichte Exploring the Japan Ushimado International Art Festival : transformation of open-air art exhibitions and the institution of art in the 1980s Japan Pourquoi Les Pestiférés de Scio? : la carnation des Grecs dans les Scènes des massacres de Scio d'Eugène Delacroix
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Table of ContentsNeo-Riemannian and Schenkerian theories : priority of interpretation or method Remaking an ancient poetic theory into a modern aesthetic thought : Girolamo Mei's system of the arts Cézanne chez Gauguin Herder's way to "Sentio, ergo sum" Namaroku culture in 1970s Japan : the techniques and joy of sound recording Correggio's Second Coming in San Giovanni Evangelista in Parma : transfiguration and resurrection, and divinity and humanity On appreciating artworks involving cultural properties Sasaki Ken-ichi, ディドロ「絵画論」の研究 (Study of the Treatise on Painting by Diderot)
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Table of ContentsRhetorik der Zeichen : A. G. Baumgartens Anwendung rhetorischer Figuren auf die bildende Kunst Heidegger und die moderne Malerei Transformation et significations de la notion de lyrisme : à propos des théories de l'art dans les annees 1910-20 Le tableau d'autel du roi : L'Institution de l'eucharistie de Nicolas Poussin The dome painting of San Giovanni Evangelista in Parma : the relationship between Correggio's form and content, depending on the viewer and the viewer's position Reconsidering "The Japan International Art Exhibition (Tokyo Biennale)" : the intentions of international art exhibitions in Japan after WWⅡ The modernist landscape of waves and wars in Britain : a comparison between Vorticist works and Korin's screens Visual theory in Antonioni's Blow-Up and its source, Cortázar's "Las babas del diablo" : a psychoanalytic point of view
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Table of ContentsDie "Einbildungskraft" und der "innere Sinn". Kants "Kritik der Urteilskraft" aus der Sicht der Aisthetik Aesthetic properties in Allen Carlson's theory for the appreciation of nature : focusing on the functions of categories Ruskin's re-evaluation of the concept of 'æsthetic' : through clues found in his art lectures Ausnahme und Vollkommenheit in A. G. Baumgartens Ästhetik und Metaphysik Oriental calligraphy in Jackson Pollock : a study of the formation of the black paintings Rethinking David Hockney's "reverse perspective" : the acceptance of Japanese art in the 1970s and 1980s Giorgio de Chirico and the nonsense of life : Nietzsche, Schopenhauer, metaphysical painting La prise de conscience et le jeu : les Cabanes éclatées de Daniel Buren The border between art and life : reconsidering Neo-Impressionism within the history of deconstructing art What copying meant to Cézanne The sculptures of the Fürstenportal of Bamberg Cathedral : the eschatological salvation of brides in mystical marriage Listening to sound patterns : Tony Schwartz's documentary recordings "Realism" in late 1930s Japanese films and Shiro Fukai's accompaniment music : contemporary arguments for the rejection of non-diegetic music Zwischen Kontrapunkt und Kritik an der mathematischen Musikanschauung : Johann Matthesons Melodielehre im Vollkommenen Capellmeister
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Table of ContentsThe 'scientific' orientation of Japanese art history in 1930s Japan Visualizing national history in Meiji Japan : the Komaba Museum collection, University of Tokyo Building Roman civilisation : a reinterpretation of two sacrificial scenes (86, 98-99) on the column of Trajan La naissance du tableau en Afrique noire : Kalifala Sidibé et l' <art nègre> The representation of sewing women in Godey's Lady's Book FSA photography and the Steichen collections : The Family of Man and The Bitter Years in Luxembourg To design well is a 'moral duty' : Nikolaus Pevsner's Modern-Medievalist appeal Did you really get a mushroom? : players' fictional actions in videogame playing Die Konstruktionsprinzipien in Schönbergs freier Atonalität unter Berücksichtigung ihrer expressionistischen Momente
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Table of ContentsA provocative approach to the 'anthropology of art', with reference to C.S. Peirce Erdichtung als bindeglied zwischen dem schönen und der moral : über den Empfindungsbegriff Mendelssohns Le renouvellement des arts africains et l'administration coloniale : le cas de Georges Hardy Reconsidering the problem of the central predella of the Barbadori Altarpiece by Filippo Lippi : why was the subject "Annunciation of the Death of the Virgin and Arrival of the Apostles" chosen? British colour linocuts in the 1920s and 1930s and ukiyo-e prints The legitimization of the movies : Stanley Cavell on the classical Hollywood cinema Musical works as 'indicated type' : Jerrold Levinson on the ontology of music Thresholds of remembrance : a study of the Freudian uncanny in W. G. Sebald's Austerlitz
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Table of ContentsOn Sartre's 'proper usage' of immoral works in Saint Genet Preservation of French-speaking automatons and their pronunciations in 18th century France, focusing on l'Abbé Mical's Têtes Parlantes (Speaking Heads) and A. Rivarol's Lettre of 1783 Observations regarding the San Zeno Altarpiece by Andrea Mantegna L'influence de Mircea Eliade sur Taro Okamoto Die Ergänzung der C-Dur-Sonate D840 Schuberts durch Ernst Krenek : die Schubert-Interpretation des Berliner Kreises
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Table of ContentsT. E. Hulme's aesthetics and the ideology of proto-fascism What is 'the haptic'? : consideration of Logique de la Sensation and Deleuze's theory of sensation Fernand Léger et la ville moderne : une analyse de la structure spatiale dans la peinture
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Table of ContentsWords and passions in Edmund Burke : revisiting Burke's "Sublime" with Pseudo-Longinus The image and the real : a consideration of Sartre's early views on art The role of art in the 21st century : Polish contemporary art Le regard des curieux sur les peintures dans le Paris du ⅩⅦème siècle Heinrich Schenker's "intramusical" hermeneutics : a comparison of the hermeneutics of Hermann Kretzschmar and Wilhelm Dilthey Steve Reich's "musical process" : a linkage with postminimal art
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Table of ContentsÄsthetik der Praxis in der Phänomenologie von Hermann Schmitz : betrachtungen über landschaft und gefühle Interne und externe Okkasionalität bei Gadamer Sensorium commune bei Kant : ein interdisziplinärer dialog mit Soemmerring Poetry as physiology : Paul Valery's concept of "purity" Kritik der leidenschaft : Adalbert Stifters ästhetische theorie und seine poetik The methodological development of Honka-dori in medieval waka, and the formation of a quotation database Cubism and color : an untold history Résoudre par les signes l'œuvres de Matisse : les points problématiques de l'interprétation sémiologique Considering aesthetic communication mediated by images : the case of "Remoscope" Norman McLaren's animated film Rythmetic as temporal art Pietro Mengoli's theory of perception of musical intervals : a mathematical approach to the sense of hearing in the scientific revolution
Bibliographic Record
You can check the details of this material, its authority (keywords that refer to materials on the same subject, author's name, etc.), etc.
- Material Type
- 電子書籍・電子雑誌
- ISSN
- 1883-1095
- ISSN-L
- 1883-1095
- Title
- Author/Editor
- The Japanese Society for Aesthetics
- Publication, Distribution, etc.
- Text Language Code
- engfreger
- Persistent ID (NDL)
- info:ndljp/pid/13771182
- Collection (particular)
- 国立国会図書館デジタルコレクション > 電子書籍・電子雑誌 > 学術機関 > 学協会
- Acquisition Basis
- インターネット資料収集保存事業（WARP）