Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century : pbk.

Notes on use

Note (General)：: Summary: "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature ...

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Material Type: 図書
ISBN: 9780786435050
Title: Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century
Volume: : pbk.
Author/Editor: John F. Moffitt
Author Heading: Moffitt, John F. (John Francis)
https://ci.nii.ac.jp/author/DA03510987
Publication, Distribution, etc.: McFarland
Publication Date: c2008
Publication Date (W3CDTF): 2008
Size: 23 cm
Place of Publication (Country Code): us
Text Language Code: en
Subject Heading: Christian art and symbolism
Christianity and art
Perspective
LCC: N7831
Target Audience: 一般
Note (General): Summary: "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher
Bibliography: p. 299-308
Includes index
Related Material (URI): https://ci.nii.ac.jp/ncid/BA90226445#entity
https://lccn.loc.gov/2008019451
Data Provider (Database): 国立情報学研究所 : CiNii Research
Original Data Provider (Database): CiNii Books
https://ci.nii.ac.jp/books
NCID: https://ci.nii.ac.jp/ncid/BA90226445 : BA90226445
LC Control Number: 2008019451
https://lccn.loc.gov/2008019451