The image of the Black in African and Asian art

Material type: 図書

Author: [David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors] ; [Karen C.C. Dalton, associate editor]

Publisher: Belknap Press of Harvard University Press in collaboration with the Hutchins Center for African and African American Research

Publication date: 2017

Material Format: Paper

Capacity, size, etc.: 29 cm

NDC: -

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Note (General)：: Summary: The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the e...

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Paper

Material Type: 図書
ISBN: 9780674504394
Title: The image of the Black in African and Asian art
Author/Editor: [David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors] ; [Karen C.C. Dalton, associate editor]
Author Heading: Bindman, David
https://ci.nii.ac.jp/author/DA01051040
Blier, Suzanne Preston
https://ci.nii.ac.jp/author/DA02073457
Gates, Henry Louis
https://ci.nii.ac.jp/author/DA01434607
Dalton, Karen C. C.
https://ci.nii.ac.jp/author/DA08302728
Hutchins Center for African and African American Research
https://ci.nii.ac.jp/author/DA18719372
Screech, Timon
https://ci.nii.ac.jp/author/DA09582492
Volk, Alicia
https://ci.nii.ac.jp/author/DA17138432
Publication, Distribution, etc.: Belknap Press of Harvard University Press in collaboration with the Hutchins Center for African and African American Research
Publication Date: 2017
Publication Date (W3CDTF): 2017
Size: 29 cm
Place of Publication (Country Code): us
Text Language Code: en
Subject Heading: Blacks in art
Art and race
Art, African
Art, Asian
LCC: N8232
Target Audience: 一般
Note (General): Summary: The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representa
Includes bibliographical references and index
Related Material (URI): https://ci.nii.ac.jp/ncid/BB23381764#entity
https://lccn.loc.gov/2016013277
Data Provider (Database): 国立情報学研究所 : CiNii Research
Original Data Provider (Database): CiNii Books
https://ci.nii.ac.jp/books
NCID: https://ci.nii.ac.jp/ncid/BB23381764 : BB23381764
LC Control Number: 2016013277
https://lccn.loc.gov/2016013277