Andrei Tarkovsky's sounding cinema : music and meaning from Solaris to The Sacrifice : hbk

Material type: 図書

Author: Tobias Pontara

Publisher: Routledge

Publication date: 2020

Material Format: Paper

Capacity, size, etc.: 24 cm

NDC: -

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Note (General)：: Includes bibliographical references (pages 180-187) and indexSummary: "Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding an...

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Music and sound on the international screen

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東京都立中央図書館
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Call No.：
778.2-T18-A5
Book Registration Number：
7113307305
東京都立中央図書館

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Paper

Material Type: 図書
ISBN: 9780367277291
Title: Andrei Tarkovsky's sounding cinema : music and meaning from Solaris to The Sacrifice
Volume: : hbk
Author/Editor: Tobias Pontara
Author Heading: Pontara, Tobias
https://ci.nii.ac.jp/author/DB00092356
Publication, Distribution, etc.: Routledge
Publication Date: 2020
Publication Date (W3CDTF): 2020
Size: 24 cm
Place of Publication (Country Code): us
Text Language Code: en
Subject Heading: Tarkovskiĭ, Andreĭ Arsenʹevich, 1932-1986 -- Criticism and interpretation
Motion picture music -- History and criticism
LCC: ML2075
NDLC: KD721
KD691
Target Audience: 一般
Note (General): Includes bibliographical references (pages 180-187) and index
Summary: "Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932-1986) through an exploration of the presence of music and sound in his films. The first comprehensive study in English concentrating on the soundtrack in Tarkovsky's cinema, this book reveals how Tarkovsky's use of electronic music, electronically manipulated sound, traditional folk songs and fragments of canonized works of Western art music plays into the philosophical, existential and ethical themes recurring throughout his work. Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky's films and their relation to the broader traditions of European art cinema. An excellent resource for scholars, resear
Includes bibliographical references (p. [180]-187) and index
Related Material: Music and sound on the international screen
https://cir.nii.ac.jp/crid/1130850690865409411
Related Material (URI): https://ci.nii.ac.jp/ncid/BC06530016#entity
https://lccn.loc.gov/2019040645
Periodical Title: Music and sound on the international screen
https://cir.nii.ac.jp/crid/1130850690865409411
Data Provider (Database): 国立情報学研究所 : CiNii Research
Original Data Provider (Database): CiNii Books
https://ci.nii.ac.jp/books
NCID: https://ci.nii.ac.jp/ncid/BC06530016 : BC06530016
LC Control Number: 2019040645
https://lccn.loc.gov/2019040645