Music since 1900

• Material Type: 図書
• Title: Music since 1900
• Author Heading: Whittall, Arnold; https://ci.nii.ac.jp/author/DA02184028
• Publication, Distribution, etc.: Cambridge University Press
• Alternative Title: Music in the twentieth century
• Place of Publication (Country Code): uk
• Target Audience: 一般
• Note (General): Formerly series title: Music in the twentieth century; General editor: Arnold Whittall
• Related Material: Stravinsky's piano : genesis of a musical language; https://cir.nii.ac.jp/crid/1130000793956781952; Music and protest in 1968; https://cir.nii.ac.jp/crid/1130000794351533696; British musical modernism : the Manchester Group and their contemporaries; https://cir.nii.ac.jp/crid/1130000794749397760; Performance practice in the music of Steve Reich; https://cir.nii.ac.jp/crid/1130000794905787264; Luigi Dallapiccola and musical modernism in Fascist Italy; https://cir.nii.ac.jp/crid/1130000794916531200; The musical language of Pierre Boulez : writings and compositions; https://cir.nii.ac.jp/crid/1130000795046624000; Stravinsky and the Russian period : sound and legacy of a musical idiom; https://cir.nii.ac.jp/crid/1130000795066025216; Schoenberg's twelve-tone music : symmetry and the musical idea; https://cir.nii.ac.jp/crid/1130000796680934784; The spectral piano : from Liszt, Scriabin, and Debussy to the digital age; https://cir.nii.ac.jp/crid/1130000796724424960; Musical witness and Holocaust representation; https://cir.nii.ac.jp/crid/1130000797063590400; French music and jazz in conversation : from Debussy to Brubeck; https://cir.nii.ac.jp/crid/1130000797121345024; Transformations of musical modernism; https://cir.nii.ac.jp/crid/1130000797749830144; Prokofiev's soviet operas; https://cir.nii.ac.jp/crid/1130003902687687808; Ideology in Britten's operas; https://cir.nii.ac.jp/crid/1130003902856716032; John Cage and Peter Yates : correspondence on music criticism and aesthetics; https://cir.nii.ac.jp/crid/1130003903515135616; https://cir.nii.ac.jp/crid/1130005508785088027; Britten's unquiet pasts : sound and memory in postwar reconstruction; https://cir.nii.ac.jp/crid/1130282268638220928; Music in Germany since 1968; https://cir.nii.ac.jp/crid/1130282269449764480; https://cir.nii.ac.jp/crid/1130282269711114624; Harrison Birtwistle's operas and music theatre; https://cir.nii.ac.jp/crid/1130282269742444288; New music at Darmstadt : Nono, Stockhausen, Cage, and Boulez; https://cir.nii.ac.jp/crid/1130282269859297280; The graph music of Morton Feldman; https://cir.nii.ac.jp/crid/1130282270965031552; https://cir.nii.ac.jp/crid/1130282271194548480; John Cage and David Tudor : correspondence on interpretation and performance; https://cir.nii.ac.jp/crid/1130282271298383104; https://cir.nii.ac.jp/crid/1130282273167461120; The orchestral music of Michael Tippett : creative development and the compositional process; https://cir.nii.ac.jp/crid/1130282273274507776; Lateness and modernism : untimely ideas about music, literature and politics in interwar Britain; https://cir.nii.ac.jp/crid/1130285377917444352; Schoenberg's atonal music : musical idea, basic image, and specters of tonal function; https://cir.nii.ac.jp/crid/1130566851256288256; Alan Bush, modern music, and the Cold war : the cultural left in Britain and the communist bloc; https://cir.nii.ac.jp/crid/1130566852545442048; Peter Maxwell Davies, selected writings; https://cir.nii.ac.jp/crid/1130569215888685355; Elliott Carter's late music; https://cir.nii.ac.jp/crid/1130855721652720912
• Related Material (URI): https://ci.nii.ac.jp/ncid/BB05130944#entity
• Data Provider (Database): 国立情報学研究所 : CiNii Research
• Original Data Provider (Database): CiNii Books; https://ci.nii.ac.jp/books
• NCID: https://ci.nii.ac.jp/ncid/BB05130944 : BB05130944

Table of Contents

Stravinsky's piano : genesis of a musical language

Music and protest in 1968

British musical modernism : the Manchester Group and their contemporaries

Performance practice in the music of Steve Reich

Luigi Dallapiccola and musical modernism in Fascist Italy