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Critical concepts in media and cultural studies

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Critical concepts in media and cultural studies

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Table of Contents

  • Managing information for optimum accessibility and usability

  • Advertising : histories, transitions, institutions and practices

  • Media sounds

  • Chicago, Birmingham, scenes and communities

  • Histories and origins

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Paper

Material Type
図書
Publication, Distribution, etc.
Alternative Title
Critical concepts
Place of Publication (Country Code)
uk
Target Audience
一般
Related Material
Managing information for optimum accessibility and usability
Advertising : histories, transitions, institutions and practices
Media sounds
Chicago, Birmingham, scenes and communities
Histories and origins
Mapping cyberculture
Gender and cultural production
Filmic developments
Film theory/history/documentary in general
Media institutions and commercial industries
Globalization and its critiques
New concepts, films and filmmakers from 1995
Identity, generations and memory
Critical approaches
Issues and debates
Film as religion
History and concepts
The theoretical framework and historical context of information science
Chinese film production and reception
Intersectionality
Mobile media : technologies, networks, and intimacies
New technology, new media
Critical concepts in heritage
Methods and approaches to China's media and communications
What is visual culture studies?
Foundations
The economics of information
Re-visioning feminism(s)
Primary sources
Heritage as an industry
Music and society
Theory and methodology
Sound studies : meanings and scope
Description and analysis
Sexed subjects, virtual communities, neo-tribes
Formal-aesthetic dimensions : authorship, genre and stardom
Consuming desire and knowing the body
Analysing advertisements : texts, audiences and ways of reading
Biblical and theological connections to film
Film and television : identity, representation and access
Culture
Representation and discourse
Contexts
Film
Histories, archaeologies and genealogies of visual culture
Form/genres and other features of the Hindi cinema
History and institutions
Genre and star
Advertising : culture, media and debate
Design and theory
To the Nouvelle Vague
Film in religion
Ideology and representation
Social dimensions : technology, regulation and the audience
Culture, identity and place
Chinese cinema history
Historical dimensions : the development of the American film industry
Key concepts in gender and popular culture
Hindi cinema before Bollywood
Subcultural histories
Publishers and authors
The rock era
From the Nouvelle Vague to the millennium
Foundational themes and paradigm battles
Fissures and fusions
Challenges and innovation : new territories and technologies
Body counts
Identities & bodies in cyberculture
Definitions and philosophies
Publishing and the book trade
Gender identity and popular culture
Gender formation and visuality
Film theory
Museum and their publics
The museum and its technologies
Genre and gender in the Chinese cinema
Music and identity
Globalization and its outcomes
Communication theories
Cultural contexts
Critical departures
Gender, audiences and media use
Use and users of information
Stars, genres and concepts
Cultural policy futures : challenges, speculations, prospects
Cinema and society
Negotiating gender
British cinema past and present
Cyberculture, cyberpolitics, cybersociety
Genre and representation
Disability studies meets media studies : critical analysis of print media and radio, from representation to reception
International librarianship
Occupational status, practices, experience and ownership
Audiences, identities and communities and technological developments
Play and players
Chinese film directors and their films
Experiences in visual culture
Subcultures and music
Cultural policy practices
Representing gender
Sound spaces, places, cultures and technologies
Language, stars, gender, clothing : business of cinema
Genre and representation
Mobile society : culture, identities, and practices
Life after mobiles : concepts, methods, and debates
Ecologies of hearing and listening
Popular music analysis
Building research programmes and outlining challenges
War and conflict communication
Interpretation and community
Industry developments
Journalism
Debates
Printing and book production
Issues management, crisis, and risk communication
Gender equity
Films and film-makers
Television
Latter days
History and theory
Cultural dimensions : ideology, identity and culture industry studies
Spaces of visual culture
Transnational Japanese cinema
Politics and communication
Religion in film
From the telephone to the mobile : communication, coordination, and new connections
Beyond the west
Japanese film historiography : issues and debates
Radio theory and genres
Thinking & doing cyberculture
Theories, challenges, and schools of thought
Post-1945 : authorship and genre
Concepts and theories : issues in book history
Bollywood and beyond
Film makers
Everyday life
Museums, controversy and politics
Museums : histories, theories and debates
The business of museums
Understanding science fiction
Establishing/exploding the canon
Science fiction and the world : what do 'we' mean by 'us'?
Discoveries, definitions and defence, receptions and redefinitions
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国立情報学研究所 : CiNii Research
Original Data Provider (Database)
CiNii Books