Objects/histories

• Material Type: 図書
• Title: Objects/histories
• Publication, Distribution, etc.: Duke University Press
• Alternative Title: Objects/histories : critical perspectives on arts, material culture, and representation; Objects/histories : critical perspectives on art, material culture, and representation
• Place of Publication (Country Code): us
• Target Audience: 一般
• Note (General): A series edited by Nicholas Thomas
• Related Material: Intimate outsiders : the harem in Ottoman and Orientalist art and travel literature; https://cir.nii.ac.jp/crid/1130000795137623552; The Indian craze : primitivism, modernism, and transculturation in American art, 1890-1915; https://cir.nii.ac.jp/crid/1130000795678614656; Mimesis across empires : artworks and networks in India, 1765-1860; https://cir.nii.ac.jp/crid/1130000795754392960; Painting culture : the making of an aboriginal high art; https://cir.nii.ac.jp/crid/1130000795959103488; Eye contact : photographing indigenous Australians; https://cir.nii.ac.jp/crid/1130000797701008640; Refracted visions : popular photography and national modernity in Java; https://cir.nii.ac.jp/crid/1130282268876686976; Unsettled visions : contemporary Asian American artists and the social imaginary; https://cir.nii.ac.jp/crid/1130282268944509824; Gods in the bazaar : the economies of Indian calendar art; https://cir.nii.ac.jp/crid/1130282268967102720; Native moderns : American Indian painting, 1940-1960; https://cir.nii.ac.jp/crid/1130282269109025536; Photography's other histories; https://cir.nii.ac.jp/crid/1130282269184596096; Orientalism's interlocutors : painting, architecture, photography; https://cir.nii.ac.jp/crid/1130282269382232832; The camera as historian : amateur photographers and historical imagination, 1885-1918; https://cir.nii.ac.jp/crid/1130282270050514944; An eye for the tropics : tourism, photography, and framing the Caribbean picturesque; https://cir.nii.ac.jp/crid/1130282270367270144; In Senghor's shadow : art, politics, and the avant-garde in Senegal, 1960-1995; https://cir.nii.ac.jp/crid/1130282270709346944; Tattoo : bodies, art, and exchange in the Pacific and the West; https://cir.nii.ac.jp/crid/1130282270801625216; Art for a modern India, 1947-1980; https://cir.nii.ac.jp/crid/1130282270838098944; Empires of vision : a reader; https://cir.nii.ac.jp/crid/1130282270993568768; Remote avant-garde : aboriginal art under occupation; https://cir.nii.ac.jp/crid/1130282271098197120; Mapping modernisms : art, indigeneity, colonialism; https://cir.nii.ac.jp/crid/1130282271360115712; Photographies East : the camera and its histories in East and Southeast Asia; https://cir.nii.ac.jp/crid/1130282271792119424; The echo of things : the lives of photographs in the Solomon Islands; https://cir.nii.ac.jp/crid/1130282272250955392; Treasured possessions : indigenous interventions into cultural and intellectual property; https://cir.nii.ac.jp/crid/1130282272766991232
• Related Material (URI): https://ci.nii.ac.jp/ncid/BA60739462#entity
• Data Provider (Database): 国立情報学研究所 : CiNii Research
• Original Data Provider (Database): CiNii Books; https://ci.nii.ac.jp/books
• NCID: https://ci.nii.ac.jp/ncid/BA60739462 : BA60739462

Table of Contents

Intimate outsiders : the harem in Ottoman and Orientalist art and travel literature

The Indian craze : primitivism, modernism, and transculturation in American art, 1890-1915

Mimesis across empires : artworks and networks in India, 1765-1860

Painting culture : the making of an aboriginal high art

Eye contact : photographing indigenous Australians