図書

Publications of the Early Music Institute

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Publications of the Early Music Institute

Material type
図書
Author
Indiana University, Bloomington. School of Music. Early Music Institute
Publisher
Indiana University Press
Publication date
-
Material Format
Paper
Capacity, size, etc.
28 cm
NDC
-
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Notes on use

Note (General):

Includes music

Related materials as well as pre- and post-revision versions

A guide to playing the baroque guitarLeave the NDL website. José de Torres's treatise of 1736 : general rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in canto figuradoLeave the NDL website. Ockeghem's Missa cuiusvis toni : in its original notation and edited in all the modesLeave the NDL website. A new treatise on accompaniment : with the harpsichord, the organ, and with other instrumentsLeave the NDL website. A performer's guide to seventeenth-century musicLeave the NDL website. A performer's guide to Renaissance musicLeave the NDL website. Music education in the Middle Ages and the RenaissanceLeave the NDL website. Accompaniment on theorbo and harpsichord : Denis Delair's treatise of 1690Leave the NDL website. The accompaniment in "unaccompanied" Bach : interpreting the Sonatas and Partitas for violinLeave the NDL website. The notation is not the music : reflections on early music practice and performanceLeave the NDL website. The hurdy-gurdy in eighteenth-century FranceLeave the NDL website. Spanish romances of the sixteenth centuryLeave the NDL website. Luis Milán on sixteenth-century performance practiceLeave the NDL website. The lira da braccioLeave the NDL website. Le ballet des Fâcheux : Beauchamp's music for Molière's comedyLeave the NDL website. A catalog of music for the cornettLeave the NDL website. Georg Muffat on performance practice : the texts from Florilegium primum, Florilegium secundum, and Auserlesene Instrumentalmusik : a new translation with commentaryLeave the NDL website. On playing oboe, recorder, and flageoletLeave the NDL website. The hurdy-gurdy in eighteenth-century FranceLeave the NDL website.

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Table of Contents

  • A guide to playing the baroque guitar

  • José de Torres's treatise of 1736 : general rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in canto figurado

  • Ockeghem's Missa cuiusvis toni : in its original notation and edited in all the modes

  • A new treatise on accompaniment : with the harpsichord, the organ, and with other instruments

  • A performer's guide to seventeenth-century music

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Paper

Material Type
図書
Publication, Distribution, etc.
Size
28 cm
Place of Publication (Country Code)
us
Target Audience
一般
Note (General)
Includes music
Related Material
A guide to playing the baroque guitar
José de Torres's treatise of 1736 : general rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in canto figurado
Ockeghem's Missa cuiusvis toni : in its original notation and edited in all the modes
A new treatise on accompaniment : with the harpsichord, the organ, and with other instruments
A performer's guide to seventeenth-century music
A performer's guide to Renaissance music
Music education in the Middle Ages and the Renaissance
Accompaniment on theorbo and harpsichord : Denis Delair's treatise of 1690
The accompaniment in "unaccompanied" Bach : interpreting the Sonatas and Partitas for violin
The notation is not the music : reflections on early music practice and performance
The hurdy-gurdy in eighteenth-century France
Spanish romances of the sixteenth century
Luis Milán on sixteenth-century performance practice
The lira da braccio
Le ballet des Fâcheux : Beauchamp's music for Molière's comedy
A catalog of music for the cornett
Georg Muffat on performance practice : the texts from Florilegium primum, Florilegium secundum, and Auserlesene Instrumentalmusik : a new translation with commentary
On playing oboe, recorder, and flageolet
The hurdy-gurdy in eighteenth-century France