The saddest thing is that I have had to use words : a Madeline Gins reader First edition

The saddest thing is that I have had to use words : a Madeline Gins reader

First edition

Material type: 図書

Author: Madeline Gins ; edited by Lucy Ives

Publisher: Siglio

Publication date: [2020]

Material Format: Paper

Capacity, size, etc.: 21 cm

NDC: -

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Notes on use

Note (General)：: Includes bibliographical referencesSummary:"Poet, philosopher, architect and transdisciplinary artist, Madeline Gins (1941-2014) is well known for her...

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Paper

Material Type: 図書
ISBN: 1938221249
9781938221248
Title: The saddest thing is that I have had to use words : a Madeline Gins reader
Author/Editor: Madeline Gins ; edited by Lucy Ives
Edition: First edition
Author Heading: Gins, Madeline
Ives, Lucy
Publication, Distribution, etc.: Siglio
Publication Date (W3CDTF): 2020
Size: 21 cm
Alternative Title: Madeline Gins reader
Place of Publication (Country Code): us
Text Language Code: en
Subject Heading: Gins, Madeline
Gins, Madeline -- Poetry
Gins, Madeline fast
Artists' writings
Écrits d'artistes
Artists' writings fast
Poetry fast
Poetry lcgft
LCC: PS3557.I5
Target Audience: 一般
Note (General): Includes bibliographical references
Summary:"Poet, philosopher, architect and transdisciplinary artist, Madeline Gins (1941-2014) is well known for her collaborations with her husband, the artist Arakawa, on the experimental architectural project Reversible Destiny, via which they sought to arrest mortality by transforming the built environment. Yet, her own writings--in the form of poetry, essays, experimental prose, and philosophical inquiries--represent her most visionary and transformative work. Expansive and playful, Gin's vigorous and often ecstatic exploration of the physicality of language challenges us to sense more acutely the ways in which we can--and could--write and read. Like Gertrude Stein before her, Gins transfigures grammar and liberates words. Like her contemporaries in conceptual art, her writing is attuned to the energized, collaborative space between reader and page. She invites the reader into a field of infinite, ever-multiplying possibility. This revelatory anthology, edited and with an introduction by the writer and cr
Related Material (URI): https://ci.nii.ac.jp/ncid/BD06245651#entity
https://lccn.loc.gov/2022278563
Data Provider (Database): 国立情報学研究所 : CiNii Research
Original Data Provider (Database): CiNii Books
https://ci.nii.ac.jp/books
NCID: https://ci.nii.ac.jp/ncid/BD06245651 : BD06245651
LC Control Number: 2022278563
https://lccn.loc.gov/2022278563