Object lessons : case studies in minimal art : the Guggenheim Panza Collection Initiative

Material type: 図書

Author: Francesca Esmay, Ted Mann, and Jeffrey Weiss

Publisher: Guggenheim

Publication date: c2021

Material Format: Paper

Capacity, size, etc.: 28 cm

NDC: -

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Notes on use

Note (General)：: Summary: "Based upon the research of the Panza Collection Initiative, a ten-year study project, Object Lessons focuses on four works by key figures of...

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Paper

Material Type: 図書
ISBN: 9780892075560
Title: Object lessons : case studies in minimal art : the Guggenheim Panza Collection Initiative
Author/Editor: Francesca Esmay, Ted Mann, and Jeffrey Weiss
Author Heading: Solomon R. Guggenheim Museum
https://ci.nii.ac.jp/author/DA00746717
Esmay, Francesca
https://ci.nii.ac.jp/author/DA19851116
Mann, Ted (Curator)
https://ci.nii.ac.jp/author/DA19851127
Weiss, Jeffrey S
https://ci.nii.ac.jp/author/DA19851138
Buskirk, Martha
Rutledge, Virginia Skidmore
Panza Collection Initiative
https://ci.nii.ac.jp/author/DA19851149
Publication, Distribution, etc.: Guggenheim
Publication Date: c2021
Publication Date (W3CDTF): 2021
Size: 28 cm
Place of Publication (Country Code): us
Text Language Code: en
Subject Heading: Solomon R. Guggenheim Museum
Minimal art -- Expertising -- New York (State) -- New York
Art museums -- Collection management -- Case studies
Art museums -- Curatorship -- Case studies
LCC: N6494.M5
Target Audience: 一般
Note (General): Summary: "Based upon the research of the Panza Collection Initiative, a ten-year study project, Object Lessons focuses on four works by key figures of 1960s minimalism and conceptual art: Dan Flavin, Donald Judd, Robert Morris, and Lawrence Weiner. Authors Francesca Esmay, Ted Mann, and Jeffrey Weiss present each work from several vantages: an exhaustive chronological account conveys the surprisingly complicated history of the work's realization, acquisition, ownership and display. An overview addresses the broad practical and conceptual implications of this information for the historical identity of the work and its consequences for the work's future. A conservation narrative establishes the role of fabricators and the material and technical standards for the production of the object. Together, the authors explore how a previously unaddressed history of production, ownership and display has deeply influenced the life and legacy of the radical objects of minimal art. A separate section, with contributions by
Includes bibliographical references and index
Related Material (URI): https://ci.nii.ac.jp/ncid/BC05002872#entity
https://lccn.loc.gov/2021001393
Data Provider (Database): 国立情報学研究所 : CiNii Research
Original Data Provider (Database): CiNii Books
https://ci.nii.ac.jp/books
NCID: https://ci.nii.ac.jp/ncid/BC05002872 : BC05002872
LC Control Number: 2021001393
https://lccn.loc.gov/2021001393