The mass production of memory : travel and personal archiving in the age of the Kodak : hardcover

• Material Type: 図書
• ISBN: 9781625345318
• Title: The mass production of memory : travel and personal archiving in the age of the Kodak
• Volume: : hardcover
• Author/Editor: Tammy S. Gordon
• Author Heading: Gordon, Tammy S.
• Publication, Distribution, etc.: University of Massachusetts Press
• Publication Date: c2020
• Publication Date (W3CDTF): 2020
• Size: 24 cm
• Place of Publication (Country Code): us
• Text Language Code: en
• Subject Heading: Travel photography -- United States -- History -- 20th century; Vernacular photography -- United States -- History -- 20th century; Eastman Kodak Company -- History -- 20th century; Tourism -- United States -- History -- 20th century; Photography -- Social aspects -- United States -- History -- 20th century; Eastman Kodak Company fast (OCoLC)fst00549813; 1900-1999 fast; Photographie de voyage -- États-Unis -- Histoire -- 20e siècle; Photographie vernaculaire -- États-Unis -- Histoire -- 20e siècle; Photographie -- Aspect social -- États-Unis -- Histoire -- 20e siècle; Photography -- Social aspects. fast (OCoLC)fst01061826; Tourism. fast (OCoLC)fst01153142; Travel photography. fast (OCoLC)fst01155649; Vernacular photography. fast (OCoLC)fst01746380; United States. fast (OCoLC)fst01204155; History. fast (OCoLC)fst01411628
• LCC: TR790
• Target Audience: 一般
• Note (General): Includes bibliographical references and index; Summary: "In 1888, the Eastman Dry Plate and Film Company offered the first portable camera that allowed users to conveniently take photos, using leisure travel as a primary marketing feature to promote it. The combination of portability, ease of use, and mass advertising fed into a national trend of popular photography that drew on Americans' increasing mobility and leisure time. The Kodak Company and the first generation of tourist photographers established new standards for personal archiving that amplified the individual's role in authoring the national narrative. But not everyone had equal access to travel and tourism, and many members of the African American, Native American, and gay and lesbian communities used the camera to counter the racism, homophobia, and classism that shaped public spaces. In this groundbreaking history, Tammy S. Gordon tells the story of the camera's emerging centrality in leisure travel across the late nineteenth and early twentieth centuries and its role in "the mass productio
• Related Material: Public history in historical perspective; https://cir.nii.ac.jp/crid/1130000797845504640
• Related Material (URI): https://ci.nii.ac.jp/ncid/BC00650321#entity; https://lccn.loc.gov/2020019222
• Periodical Title: Public history in historical perspective; https://cir.nii.ac.jp/crid/1130000797845504640
• Data Provider (Database): 国立情報学研究所 : CiNii Research
• Original Data Provider (Database): CiNii Books; https://ci.nii.ac.jp/books
• NCID: https://ci.nii.ac.jp/ncid/BC00650321 : BC00650321
• LC Control Number: 2020019222; https://lccn.loc.gov/2020019222