Tom Wesselmann : standing still lifes

Material type: 図書

Author: Tom Wesselmann

Publisher: Gagosian

Publication date: [2018], ©2018

Material Format: Paper

Capacity, size, etc.: 34 cm

NDC: -

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Note (General)：: Content Type: text (rdacontent), still image (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier)Published on the occasi...

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Paper

Material Type: 図書
ISBN: 9781938748585
Title: Tom Wesselmann : standing still lifes
Author/Editor: Tom Wesselmann
Author Heading: Wesselmann, Tom
Merjian, Ara H.
Craig-Martin, Michael
Sturges, Jeffrey
Mahony, Lauren
Gagosian Gallery
Publication, Distribution, etc.: Gagosian
Publication Date (W3CDTF): 2018
Size: 34 cm
Alternative Title: Standing still lifes
Wesselmann
Place of Publication (Country Code): us
Text Language Code: en
Subject Heading: Wesselmann, Tom, 1931-2004 -- Exhibitions
Still-life in art -- Exhibitions
Wesselmann, Tom, 1931-2004. fast (OCoLC)fst00000952
Still-life in art. fast (OCoLC)fst01896105
Exhibition catalogs. fast (OCoLC)fst01424028
Exhibition catalogs. lcgft
LCC: N6537.W37
Target Audience: 一般
Note (General): Content Type: text (rdacontent), still image (rdacontent), Media Type: unmediated (rdamedia), Carrier Type: volume (rdacarrier)
Published on the occasion of an exhibition held at Gagosian, New York, New York, January 18-February 24, 2018
"Organized in collaboration with the Estate of the Artist."
Includes bibliographical references
Summary: Gagosian is pleased to present Tom Wesselmann: Standing Still Lifes, an exhibition of nine monumental works made between 1967 and 1981. This is the first time that the complete series will be shown together. Each large-scale work comprises multiple canvases, both hanging and standing, shaped according to the outlines of the commonplace objects that they depict. Wesselmann's spatial and pictorial innovation in the Standing Still Life paintings have precedents in his early work. His drawings of his wife and lifelong muse, Claire Selley--beginning in the 1950s when they met as students at Cooper Union--often took the form of hybrid collages that incorporated sketches and scraps of wallpaper and advertisements that he found in the New York City subway. Similarly, his early assemblage paintings, which included functioning objects and gadgets, present shifting images that advance and retreat depending on the viewer's relative position, like stage sets that can be seen but not entered.--Gallery website
Related Material (URI): https://ci.nii.ac.jp/ncid/BC15228452#entity
https://lccn.loc.gov/2020277072
Data Provider (Database): 国立情報学研究所 : CiNii Research
Original Data Provider (Database): CiNii Books
https://ci.nii.ac.jp/books
NCID: https://ci.nii.ac.jp/ncid/BC15228452 : BC15228452
LC Control Number: 2020277072
https://lccn.loc.gov/2020277072