デジタルデータあり(つくばリポジトリ)
学術機関リポジトリデータベース(IRDB)(機関リポジトリ)
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目次
Foreword vii Preface ix Acknowledgements xi Introduction 1 Chapter 1 Past studies on materials and techniques used in Bamiyan’s wall paintings 9 1.1 Bamiyan and the wall paintings in its surrounding caves 9 1.2 Wall paintings around the Bamiyan Valley 20 1.3 The chronology of Bamiyan’s wall paintings and their relationships to 30 neighbouring works 1.4 Past research on technical materials and problems 31 Chapter 2 The painting structure and composition of the Bamiyan wall paintings 41 2.1 Objectives and methodologies for analysing wall painting materials and techniques 41 2.2 Structure of the wall paintings 44 2.3 Composition of surface degradation 74 Chapter 3 Oil painting techniques in Bamiyan’s wall paintings 77 3.1 Case 1: The foliated scroll design with animals on the ceiling of Cave N(a) 77 3.2 Case 2: Green colouring in the tree deity on the east wall of Cave N(a) 81 3.3 Case 3: Binding media for wall paintings in Cave B(d) 83 3.4 Case 4: Green colour in Foladi Cave 4 and its discoloration 86 3.5 Painting techniques at the Eastern and Western Giant Buddhas 89 Chapter 4 The study of variations in painting techniques at the Bamiyan site 93 4.1 Correlation with cave structure and style 93 4.2 Buddhism and paintings in Eurasia: artisans, trade and technology 101 4.3 The history of oil painting: a review of its origins and development 107 4.4 Correlation with cave style 109 4.5 Relationship with Buddhism 114 Chapter 5 Conclusion 117 Appendix I The Citrasutra 121 Appendix II Materials, preparation and methodologies 125 Appendix III Results of SR-μXRF/μXRD/μFTIR analysis 133 Appendix IV Aspects and techniques of wall paintings found in neighbouring regions 185 Bibliography 199
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- 資料種別
- 図書
- 著者・編者
- 谷口, 陽子COTTE, MARINE
- 著者標目
- 谷口, 陽子 タニグチ, ヨウコ
- 出版年月日等
- 2022-12
- 出版年(W3CDTF)
- 2022-12
- 掲載ページ
- 1-218
- 本文の言語コード
- eng
- 対象利用者
- 一般