The Wall Paintings of Bamiyan, Afghanistan : Technology and Materials

• Material Type: 図書
• Title: The Wall Paintings of Bamiyan, Afghanistan : Technology and Materials
• Author/Editor: 谷口, 陽子; COTTE, MARINE
• Author Heading: 谷口, 陽子 タニグチ, ヨウコ; COTTE, MARINE
• Publication, Distribution, etc.: Archetype Publications Ltd
• Publication Date: 2022-12
• Publication Date (W3CDTF): 2022-12
• Pages: 1-218
• Text Language Code: eng
• Target Audience: 一般
• Format (IMT): application/pdf
• Source: https://tsukuba.repo.nii.ac.jp/record/2005186/files/WPBA02.pdf （fulltext）; https://tsukuba.repo.nii.ac.jp/record/2005186/files/WPBA02.pdf
• Access Restrictions: インターネット公開
• Rights (production): Text ©2022 Yoko Taniguchi and Marine Cotte 2022 / Images ©2022 Yoko Taniguchi and Marine Cotte except where indicated otherwise; Note: The rights of Yoko Taniguchi and Marine Cotte to be identified as the authors of this work have been asserted by them in accordance with the Copyright, Designs and Patents Acts 1988
• Data Provider (Database): 国立情報学研究所 : 学術機関リポジトリデータベース（IRDB）（機関リポジトリ）; https://irdb.nii.ac.jp
• Original Data Provider (Database): 筑波大学 : つくばリポジトリ

Table of Contents

Foreword vii
Preface ix
Acknowledgements xi
Introduction 1
Chapter 1 Past studies on materials and techniques used in Bamiyan’s wall paintings 9
1.1 Bamiyan and the wall paintings in its surrounding caves 9
1.2 Wall paintings around the Bamiyan Valley 20
1.3 The chronology of Bamiyan’s wall paintings and their relationships to 30
neighbouring works
1.4 Past research on technical materials and problems 31
Chapter 2 The painting structure and composition of the Bamiyan wall paintings 41
2.1 Objectives and methodologies for analysing wall painting materials and techniques 41
2.2 Structure of the wall paintings 44
2.3 Composition of surface degradation 74
Chapter 3 Oil painting techniques in Bamiyan’s wall paintings 77
3.1 Case 1: The foliated scroll design with animals on the ceiling of Cave N(a) 77
3.2 Case 2: Green colouring in the tree deity on the east wall of Cave N(a) 81
3.3 Case 3: Binding media for wall paintings in Cave B(d) 83
3.4 Case 4: Green colour in Foladi Cave 4 and its discoloration 86
3.5 Painting techniques at the Eastern and Western Giant Buddhas 89
Chapter 4 The study of variations in painting techniques at the Bamiyan site 93
4.1 Correlation with cave structure and style 93
4.2 Buddhism and paintings in Eurasia: artisans, trade and technology 101
4.3 The history of oil painting: a review of its origins and development 107
4.4 Correlation with cave style 109
4.5 Relationship with Buddhism 114
Chapter 5 Conclusion 117
Appendix I The Citrasutra 121
Appendix II Materials, preparation and methodologies 125
Appendix III Results of SR-μXRF/μXRD/μFTIR analysis 133
Appendix IV Aspects and techniques of wall paintings found in neighbouring regions 185
Bibliography 199