著者・編者Sheena Wagstaff, Benjamin H.D. Buchloh
with essays by Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, André Rottmann
形態の詳細illustrations (some color), facsimiles, portraits
言語注記Text in English, with translations from the German
イベントの日付、場所"Gerhard Richter: Painting After All" : March 4-July 5, 2020 The Metropolitan Museum of Art, New York, New York, United States
"Gerhard Richter: Painting After All" : August 14, 2020-January 19, 2021 Museum of Contemporary Art, Los Angeles, California, United States
一般注記Catalog of an exhibition at The Metropolitan Museum of Art, New York, March 4-July 5, 2020, and at the Museum of Contemporary Art, Los Angeles, August 14, 2020-January 19, 2021
資料の内容に関する注記Over the course of his 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works
書誌注記Includes bibliographical references and index