Gerhard Richter : painting after all

• Material Type: 図書
• ISBN: 9781588396853; 1588396851
• Title: Gerhard Richter : painting after all
• Author/Editor: Sheena Wagstaff, Benjamin H.D. Buchloh; with essays by Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, André Rottmann
• Author Heading: Wagstaff, Sheena; Richter, Gerhard, 1932- ( 00621372 )Authorities; Buchloh, B. H. D.; Fer, Briony; Metropolitan Museum of Art (New York, N.Y.); Museum of Contemporary Art (Los Angeles, Calif.)
• Publication, Distribution, etc.: New York, New York : The Metropolitan Museum of Art (出版)
• Publication Date: [2020]
• Publication Date (W3CDTF): 2020
• Extent: 269 pages
• Other physical details: illustrations (some color), facsimiles, portraits
• Size: 28 cm
• Place of Publication (Country Code): US
• Text Language Code: eng
• Original Text Lang. Code: ger
• Note (Text Language): Text in English, with translations from the German
• Genre/Form Terms: Illustrated works.; Essays.; Criticism, interpretation, etc.; Catalogs.; Exhibition catalogs.
• Content Type: text; still image
• Media Type: unmediated
• Carrier Type: volume
• Subject Heading: Richter, Gerhard, 1932---Exhibitions; Richter, Gerhard, 1932---Criticism and interpretation; Richter, Gerhard, 1932---Themes, motives; Richter, Gerhard, 1932-; Richter, Gerhard 1932-; Richter, Gerhard, 1932-....; Painting, German--20th century--Exhibitions; Painting, German--21st century--Exhibitions; Themes, motives.; Painting, German.; Malerei; Germany.
• LCC: ND588.R48
• DDC: 759.3; 700.411
• NDLC: K3; KC321
• Target Audience: 一般
• Date/Time and Place of an Event: "Gerhard Richter: Painting After All" : March 4-July 5, 2020 The Metropolitan Museum of Art, New York, New York, United States; "Gerhard Richter: Painting After All" : August 14, 2020-January 19, 2021 Museum of Contemporary Art, Los Angeles, California, United States
• Note (General): Catalog of an exhibition at The Metropolitan Museum of Art, New York, March 4-July 5, 2020, and at the Museum of Contemporary Art, Los Angeles, August 14, 2020-January 19, 2021
• Note (Content): Over the course of his 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works
• Note (Bibliography): Includes bibliographical references and index
• Holding library: 国立国会図書館
• Call No.: K3-D166
• Data Provider (Database): 国立国会図書館 : 国立国会図書館蔵書; https://ndlsearch.ndl.go.jp
• Bibliographic ID (NDL): 030359998; http://id.ndl.go.jp/bib/030359998
• LC Control Number: 2020455108; https://lccn.loc.gov/2020455108
• OCLC No.: 1113224142; https://www.worldcat.org/oclc/1113224142
• Cataloging Rule: RDA
• Bibliographic Record Category (NDL): 211

• Contents: Introduction: The excavation of memory / Sheena WagstaffDocuments of culture, documents of barbarism: Richter's Birkenau paintings / Benjamin H. D. Bu...