新古今時代の和歌表現

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Summary, etc.：: 和歌史における「新古今」とは何であったか。藤原良経を足がかりに、新古今から京極派に至るまでの和歌の特質を「叙景」意識を軸に検討し、表現史の面から和歌史の書きかえをはかる。(Provided by: 出版情報登録センター（JPRO）)

Author introduction：: 板野みずえ 1985年　岡山県生まれ 2009年　東京大学文学部卒業 2016年　東京大学大学院博士課程人文社会系研究科単位取得満期退学 2019年　博士（文学）現　在　群馬県立女子大学文学部国文学科准教授(Provided by: 出版情報登録センター（JPRO）)

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